Description
Within the vast universe of the abstract art of the twentieth century, the figure of Kazimir Malevich shines with a singular intensity. His work "Plaza Suprematist Renewal - 1920" reflects the principles of an avant -garde that claims the purity of geometric shapes and the supremacy of aesthetic perception on the limitations of the material world.
This painting is located in the heart of suprematism, a movement founded by Malevich itself in 1915, whose main manifesto was the search for an art form that transcended the figurative representations and that, instead, directly appealed to the sensitivity of the sensitivity of the spectator through basic forms and pure colors. In "Plaza Reprematista renewal - 1920", the artist confronts us with a composition dominated by a simple blue square on a white background.
The apparent simplicity of the work is misleading. The blue square, perfectly focused on the canvas, emits a visual power that forces the viewer to reconsider the conventional notions of space and shape. The uniformity of blue color, without nuances or degradations, enhances the idea of an immaculate purity, while the white background emphasizes the notion of infinity and emptiness, two recurring concepts in Malevich's work.
Malevich's decision to use a deep blue is no accident. In color theory, blue is frequently associated with calm, introspection and stability. However, in the suprematist context, blue adopts a more radical connotation: it is the search for a transcendental and spiritual sense in the middle of an era of tumultuous changes. The work, created in 1920, carries with it the echo of the political and social convulsions that followed the Russian revolution, while supreme art sought to offer a utopian and renewed vision of the world.
It is important to note that the work lacks figurative characters or elements, focusing exclusively on the visual and symbolic power of form and color. This absence of human representation or recognizable elements reinforces the idea that art, for Malevich, should be an act of pure perception, free from the bonds of reality.
When studying "Plaza Reprematista renewal - 1920" in the context of other works of Malevich, we can see an evolution in its style, from the most complex forms and the most varied palette of its first suprematist works towards an extreme purification of visual elements. Works such as "Black Square" or "Black Circle" also reflect this aspiration towards reduction and essentiality, where the geometric form becomes an emblem of absolute truth.
In sum, "Plaza Suprematist renewal - 1920" remains a work that challenges and stimulates. Its apparent simplicity, combined with a masterful execution and a deep conceptual burden, converts this painting in an imperishable example of suprematist art and innovative genius of Kazimir Malevich. A work that not only invites contemplation, but also a deep reflection on the role of art in the construction of new realities.
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