Self -portrait - 1927


Size (cm): 60x75
Price:
Sale price2 971 SEK

Description

Suzanne Valadon's self -portrait, made in 1927, reflects the essence of an artist who broke molds in his time. Valadon, who was the first woman admitted to the Société Nationale des Beaux-Arts, is known for her bold style and her ability to capture female experience in a time where art was predominantly dominated by men. In this work, the artist introduces herself in an introspective and authentic way, with an approach that suggests both vulnerability and strength.

The composition of the self -portrait is remarkably balanced, focusing on the face of Valadon, where the intense and direct look towards the viewer highlights his trust and determination. The careful choice of a dark background highlights the artist's factions, who seems to be wrapped in a halo of introspection. This use of contrast creates an atmosphere that invites the observer to immerse himself in the inner world of the painter. The soft lines and contours of their face are represented with a delicacy that speaks of their technical ability, achieving a portrait that is both a physical and emotional reflection of their identity.

The use of color is another fascinating aspect of this work. The palette consists of warm tones ranging from El Dorado to the brown, evoking a feeling of warmth and closeness. The touch of color in the hair of Valadon and in its clothing, which is presented in an almost informal way, suggests an intimate connection with its own being and its history, in contrast to the elegance of those portrayed by its contemporary men. This approach highlights its desire to show an authentic femininity, away from the idealized representations of the time.

In addition, it is interesting to consider the context of the time in which Valadon created this work. She was a model of many artists, including Toulouse-Lautrec, and her transition from Muse to Creator represents an empowerment narrative in the art world. Its self -portrait can be read not only as a personal statement, but also as a manifesto of female capacity in art, where the artist takes possession of her image and history, challenging patriarchal norms.

Examining self -portrait in the context of his general work, Valadon is known for his portraits of women and naked, creating a space in which the female experience becomes a central theme. His style, characterized by a sensual and expressive approach, is seen in this painting, which serves as a parallel to many of his other works where the female figure takes up his prominence.

In summary, the 1927 self -portrait is a work that transcends beyond a simple portrait; It is an exploration of identity, femininity and role of women in art. Through his convincing gaze and his business use of color, Suzanne Valadon is established as a fundamental figure in art history, whose contributions still resonate in contemporary narratives on women in the artistic field. His legacy continues to challenge and expand the limits of modern art, and this self -portrait remains a testimony of his unique vision.

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