Last night - 1961


Size (cm): 60x75
Price:
Sale price2 991 SEK

Description

Hossein Behzad, a leading representative of contemporary Persian art, shares through his work “Last Night – 1961” a fascinating example of the syncretism between ancient visual traditions and modernist approaches. The painting, which is characterized by emotional and symbolic complexity, offers an intimate glimpse into the duality of the night and its burden of dreams, longings, and possibly shadows.

The composition of “Last Night” is notable for its balanced structure, where human figures can be perceived in an almost mysterious atmosphere. In the painting, the posture and expression of the figures seem to be intertwined with the surroundings, as if they were part of a non-verbal dialogue with the night itself. Unlike the realistic representation, Behzad chooses a more stylized and poetic approach, evoking the essence of Persian symbolism. The shapes have an ornamental character that recalls the rich tradition of Iranian miniature, but at the same time is also found in a period where there was a search for new visual narratives.

The use of colour in this work is equally captivating. Deep shades of blue and purple predominate, creating an atmosphere of intimacy and serenity that is intertwined with subtle nuances of light. These colours not only set the nocturnal context, but also evoke complex emotions. The light, manifested in lighter and brighter hues, highlights specific areas, suggesting both hope and melancholy, achieving an almost ethereal effect. This reflects Behzad’s ability to manipulate colour with a deep understanding of its psychological charge, something that is fundamental to the national artistic tradition.

The work does not present isolated characters, but rather each figure seems to hold the story of a broader connection, both with each other and with the space that surrounds them. This collective experience suggests a narrative of community and belonging, as well as an existential quest that is inherent in many cultures. The characters, with their enveloping postures, invite us to participate in their vigil, creating a connection that transcends time and place.

Through Last Night, Behzad not only brings a new visual language to the realm of Persian art, but also gives voice to an inner world in constant search for meaning. His work is part of a rich artistic tradition, where fundamental human feelings and experiences are intertwined with cultural particularity. Behzad’s distinctive approach continues to resonate with new generations, rescuing the essence of art as a means of reflecting on the human condition. In an era when Western influences were intensifying, his ability to fuse the traditional with the contemporary remains an enriching legacy in the global art scene.

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