Description
In the vast and rich trajectory of Kazimir Malevich, we found an unusual and fascinating work entitled "Landscape near Kyiv - 1930". This work offers us a window to the artistic evolution of the creator of suprematism, a movement that sought to free the art of the tyranny of the object. The painting, however, does not strictly adhere to the precepts of its famous current, but seems part of the late period of Malevich, where we observe some reconciliation with the figurative world.
"Landscape near Kyiv" is presented as an amalgam amalgam of tradition and innovation, presenting a bucolic panorama that, at first glance, could seem a break with the geometric and abysmally abstract language by which Malevich is worldwide recognized. However, a detailed inspection reveals that paint retains a precise compositional structure and experimental color management, characteristic elements of its suprematist exploration.
The work is built with a sense of balance and serenity, where fields, roads and rural constructions are distributed on the canvas with an almost mathematical harmony. On the horizon, the delineation of houses or other buildings is schematic, remembering some of the constructivist and Cubist studies that marked their first investigations. Buildings do not seek to replicate the natural world truthfully; Instead, they stand as symbols of the relationship between man and landscape, between the constructed and the natural.
The use of color in "landscape near Kyiv" also reminds us of the incessant search for Malevich for transcending tangible reality. The green, yellow and ocher of painting They are vibrant and pure, without falling into the temptation of an authentic realism. Malevich does not intend to represent colors as seen, but as they feel, pushing the viewer to a reflection on the perception and experience of the environment. The colored technique, although applied in smooth and precise layers, transmits a sensation of luminosity and warmth that revitalizes the landscape.
The sky, of a clean and clear blue, does not face the action of clouds or meteorological phenomena, but is established as an infinite vastness, a resource that Malevich had already explored in the metaphysical plain of its suprematist compositions. Thus, the sky of "landscape near Kyiv" becomes a symbol of eternity and infinity, spiritual dimensions that always permeate their most abstract works.
Although painting does not include human figures, the implicit presence of man is undeniable. Serenas houses, delineated roads, all these elements tell us about an inhabited, daily, and essentially human space. Malevich, through this omission of the direct figure, allows the viewer to project in the landscape, completing the scene with its mental and emotional presence.
"Landscape near Kyiv - 1930" then becomes a crucial piece to understand the complexity and evolution of the art of Kazimir Malevich. It is a work that tells the possibility of reintegrating the contemplation of nature in a modernity that does not renounce formal and chromatic experimentation. In this painting, Malevich invites us to a dialogue between innovation and tradition, between the abstract and the concrete, serving as an exquisite bridge between its radical suprematist principles and a more humanized and contemplative vision of the world.
KUADROS ©, a famous paint on your wall.
Hand-made oil painting reproductions, with the quality of professional artists and the distinctive seal of KUADROS ©.
Art reproduction service with satisfaction guarantee. If you are not completely satisfied with the replica of your painting, we refund your money 100%.