Description
Edgar Degas, one of the most eminent artists of the impressionist movement, offers us in "in the races - before the exit" (1892) a captivating vision of the life and culture of the French high society, specifically, the atmosphere of The horse races, a recurring theme in his work. The painting reflects not only the artist's technical skill in the representation of the human figure and the movement, but also its acute observation of social interaction in a scenario that combines the speed, emotion and tension of the competition.
In this work, Degas captures a specific moment just before the start of the race. The foreground is dominated by the silhouette of a rider, whose body is almost completely turned towards the viewer, while his horse, on the left, is restless and clear symbol of the imminent action. The use that you make of the perspective and the framing is remarkable: it places the rider so that it seems to invade the space of the viewer, creating a sensation of immediacy and tension. The composition suggests a subtle movement, a palpable anticipation, which is characteristic of the artist's style.
The colored palette of Degas in this work is rich and subtle, with a predominance of brown, gray and green tones. The choice of these colors not only reflects the atmosphere of the stage, but also emphasizes the figure of the rider, whose dark dress stands out against the softer background. The touches of light that dye the scene evoke a sense of realism, while the loose brushstrokes underline the immediacy and the dynamism of the moment that is represented. This technique, together with the luminous treatment of the surface, reveals its deep understanding of light and color, vital elements for the impressionist movement.
The secondary characters in the painting, although not as prominent as the main rider, are equally present on the canvas. To the bottom, you can see other figures that seem to share the tension of the moment, some of them trapped in animated conversations. This multidimensional approach to the scene reflects Degas's interest in human interaction and social context, suggesting that horse races were more than a simple sport; They were a social event where the upper class gathered and showed its status.
It is interesting to note that within the corpus of Degas's work, "in the races - before the exit" he aligns with his love for the topics of the competition and the movement, which can also be seen in his works on ballet and dance . This work, like many of its careers representations, is marked by careful observation of the human body in action, reflecting the complexity of movement and muscle tension. In his eagerness to represent the essence of modern life, Degas uses a technique that manages to balance the collection of movement with the intention of an aesthetic and almost photographic observation.
"In the races - before the exit" it becomes, therefore, a representation not only of a specific event, but of the psychology of its protagonists. The work is not exempt from a social criticism; Through his focus on the racing event, Degas could be suggesting a look at the hypocrisy and superficialities of the world he observes. The scene invites us to consider not only the anticipation of the race that is about to begin, but also the nuances of social life in Paris in the 1890s.
In conclusion, Degas's work stands out not only for his technical mastery, but also for his ability to capture the essence of events that define the culture of an era. "In the races - before the exit" it is a testimony of its talent to intertwine the movement, color and social narrative in an image that continues to resonate in the contemporary experience of art and life. Degas, through this work, continues to invite us to look beyond the surface and explore the complexities of human society at an ephemeral and critical moment.
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