Death of the Virgin (panel 6)


size(cm): 40x50
Price:
Sale price1 983 SEK

Description

The painting Death of the Virgin (panel 6) by Duccio Di Buoninsegna is a masterpiece of Italian Gothic art from the 14th century. The painting represents the death of the Virgin Mary, surrounded by her disciples and angels. Duccio's artistic style is characteristic of the period, with his use of smooth, curved lines, and his attention to detail in each figure.

The composition of the painting is impressive, with the figure of the Virgin in the center surrounded by the other characters. The attention to detail is evident in the way Duccio has rendered the fabrics and folds of the dresses, as well as in the expression of each character.

Color is another interesting aspect of painting. Duccio uses a soft and delicate color palette, which perfectly complements the theme of death and the transition to eternal life. Soft shades of pink, blue and gold create a serene and peaceful atmosphere that reflects the mood of the scene.

The history of the painting is fascinating, as little is known about its origin and eventual fate. It is believed to have been commissioned by the church of Santa Maria Novella in Florence, but later moved to the church of Santa Maria degli Angeli in Assisi. The painting is also known to have been part of a larger altarpiece, but the other pieces have been lost over time.

Finally, there are little-known aspects of the painting that make it even more interesting. For example, it is believed that Duccio used his own image to represent one of the Virgin's disciples. Also, there is a mysterious figure in the lower right corner of the painting, which some believe could be a self-portrait of Duccio.

In short, Duccio Di Buoninsegna's Death of the Virgin (panel 6) is an impressive work of art that combines technical skill, composition, color, and a fascinating story. It is one of the most outstanding works of Italian Gothic art and continues to be a source of inspiration for artists and art lovers around the world.

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