Costume design for the tragedy of Boris Godunov by Pushkin - 1923


Size (cm): 50x85
Price:
Sale price2 988 SEK

Description

Kuzma Petrov -Vodkin, one of the most prominent artists of the Russian panorama of the early twentie Visual with the theater. This painting stands out not only for its utilitarian function within the theatrical context, but also for its ability to encapsulate a deep dramatic and psychological atmosphere.

At first glance, the painting presents an energetic and detailed design of the costumes, through which Petrov-Vodkin evokes the character and essence of the characters in Pushkin's tragedy. The careful choice of colors and ornamental details suggests a faithful and respectful interpretation of Tsarist times, framed in a complex historical and political narrative. The color range used in the design, fundamentally reddish and brown, accentuates the solemnity of the scene and the high emotionality that permeates Pushkin's work. These colors also create a shocking contrast that attracts attention and maintains the viewer's interest in details.

It is necessary to underline the technical composition of Petrov-Vodkin, who is not limited to a merely decorative approach, but adds dimensionality and severity through the design of the clothes. Here, each fold, each embroidery is meticulously represented, evidencing a dedication to realism and cultural authenticity. The way in which the layers of fabric fall and arrange around the figure denotes a deep knowledge of traditional Russian clothing, as well as an exceptional domain of drawing and painting.

Although it does not present the characters itself, the sketch clearly details the costume designed for them. The absence of physical bodies allows the observer to focus on the wealth of design and the atmosphere that is sought to be transmitted through the locker room. It is a crucial role reminder that the costume design plays in the theatrical narrative, serving not only as an ornament but as an extension of the psychology and the conflict of the characters.

It is interesting to observe the historical context in which Petrov-Vodkin does this work. In the 20s, Russia was marked by the deep social transformations after the October revolution and the consequent civil war. This period of agitation and uncertainty undoubtedly influenced the work of artists such as Petrov-Vodkin, who sought in history and in national myths a way of reflecting on the present. Pushkin's "Boris Godunov" tragedy, with his issues of power and legitimacy, resonated with the contemporary concerns of a country in full redefinition of his identity.

Petrov-Vodkin, also known for works such as "The Red Horse Bath" and its experiments with the spherical perspective, demonstrates in this design its ability to adapt to different genres and artistic purposes. Each of his works is a testimony of his versatility and his ability to communicate complex messages through visual media.

In summary, "Victority Design for the tragedy of Boris Godunov of Pushkin - 1923" is more than a simple costume scheme; It is a complete work that dialogues with the past and the present, revealing in its details a deep understanding of history, theater and art. Through these elements, Petrov-Vodkin continues to delight and causing reflection on the role of art in turbulent times.

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