Supremeism - 1915


Size (cm): 50x85
Price:
Sale priceруб23.200,00 RUB

Description

The work "Suprematism - 1915" by Kazimir Malevich represents one of the fundamental milestones of the abstract art of the twentieth century and is part of the suprematist movement that was a pioneer in his time. Supremeism, founded by Malevich around 1913, seeks the supremacy of pure sensitivity in visual art through reduction to fundamental geometric shapes and primary colors, eliminating figurative representation and traditional narrative elements.

The painting in question, carried out in 1915, is a vibrant composition where the interaction of lines, shapes and colors establishes a visual dynamism that rejects any reference to the natural world. When observing the work carefully, one can appreciate the meticulous disposition of rectangles and triangles that float in an indefinite space, completely moving away from any type of recognizable spatial or temporal context.

The predominant colors are white, black, brown and red, with blue and gray accents, each of which plays a crucial role in the visual structure of the work. The chromatic choice is not arbitrary; Malevich uses these colors to emphasize the relationship between forms, creating a tension and balance that capture the essence of their suprematist theory. These color units not only mark the disposition and hierarchy of the elements, but also establish a visual rhythm that guides the viewer through the composition.

As for the form, the work is a sublime example of how Malevich abandons any vestige of perspective and three -dimensional volume. In "suprematism - 1915", Malevich presents an overlap of rectangular and triangular forms that, distanced from the pictorial plane at different angles, generate a sense of movement and energy contained. This approach resonates with the artist's search for a pure representation of artistic sensitivity, free of narrative charges or imposed interpretations.

Although at first glance the composition might seem simple, its true complexity lies in the way in which Malevich manipulates the negative and positive space, creating a fluid and organic interaction between the geometric elements. This interaction highlights the artist's ability to transform from figure to abstract concepts and sensations, taking us to an introspective and contemplative state.

It should be noted that there are no characters in this painting, a fact that is consistent with the rejection of suprematism to any form of figurative representation. The absence of human or animal figures is, in fact, a powerful statement about the search for the absolute and the universal in art, distancing itself from the limitations of visible reality.

"Supremeism - 1915" by Kazimir Malevich is not only an iconic representation of the suprematist movement, but also a philosophical and aesthetic statement that revolutionized the course of modern art. Through his bold choice of shapes and colors, Malevich invites us to leave the tangible world behind and to explore the depths of abstract perception, thus marking an era and leaving a lasting legacy in the history of art.

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