Description
The work "Manite of Manitas de Oryol" (1890) by Mykola Samokysh is a remarkable example of the mastery of the Ukrainian painter, which stood out in the field of landscape painting and the equine representation. Samokysh, known for his love for culture and rural life, focuses his attention on the representation of a group of horses, specifically the Oryol race. The composition presents a dynamic and organic vision of these majestic animals in a natural environment, capturing not only their physical beauty but also their vital essence.
In painting, the disposition of horses is careful and deliberate. The equine figures are grouped into different positions, which suggests both movement and rest. Some horses are represented in action, while others seem to be in times of calm, creating a visual balance that reflects the daily life of these animals in the field. The horses, with their bright and muscular fur, are the undisputed center of the work, while the background is subtle, offering a natural atmosphere that enriches the visual narrative.
The use of color in "oryol hands herd" is particularly notable. Samokysh uses a palette that combines terrible and warm tones, harmonizing the colors of horses with the elements of the surrounding landscape. The green and brown of the environment provide a sensation of harmony and life, while golden glows suggest the sunlight that touches the surface of animals. This chromatic choice not only beautifies the work, but also intensifies the emotion that emanates from the scene represented.
As for the characters present in the work, it should be noted that Samokysh chooses to focus their attention on horses, abandoning the inclusion of human figures that could often associate with the use and domestication of these animals. This decision highlights the purity of the subject, suggesting a deep connection between horses and their natural environment, almost in a state of full coexistence. Thus, the absence of human figures allows the viewer to contemplate the essence of the link between living beings and their habitat without distractions.
In the context of the Ukrainian and European art of the nineteenth century, Samokysh is part of realism and impressionism, currents who sought to portray everyday life with special attention to details and light. His horse treatment can be seen in line with works by other contemporary artists who explored similar topics, such as Franz Marc, who also represented horses with a remarkable sensitivity towards their shape and energy.
"Mykola Samokysh" is postulated not only as an observer of nature, but also as a chronicler of an era in which rural life and cultural heritage were celebrated through art. By capturing the majesty of the Oryol Trotters, Samokysh opens a dialogue about the relationship between human beings and animals, inviting us to reflect on the beauty of the natural world and our place within it. In short, "oryol handsome pack" is a work that resonates with the history and spirit of Russian and Ukrainian art, inviting us to explore the wealth and complexity of our relationship with nature.
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