Site Sketches for the Tomb of Askold of Aleksey Valentovsky - Ruslan and Ludmilla of Mikhail Glinka - Sadko by Nikolai Rimsky -Korsakov - 1912


Size (cm): 55x75
Price:
Sale price1.035,00 lei RON

Description

Ivan Bilibin, the consummated illustrator and Russian set designer, offers us in his work "Site Sketches for the Tomb of Aleksey Valentovsky - Ruslan and Ludmilla of Mikhail Glinka - Sadko by Nikolai Rimsky -Korsakov - 1912" An unique window to its mastery in the fusion of traditional Russian aesthetics with the dramatic narrative of the theater. Bilibin, known for its distinctive style that amalgams Russian popular art and modernism, displays in this piece a range of talent and detail that cannot go unnoticed.

In this sketch, conceived as a set of scenographies for three iconic operas of the Russian repertoire, we visualize the scope and diversity of bilibin creativity. Each section of the sketch seems to pay tribute to the respective works, imbueting in the viewer a sense of the atmosphere and the emotionality that these musical pieces want to evoke.

Obly observing the drawing that illustrates the tomb of Askold, Aleksey Valentovsky, we are facing a scenario where nature takes over the composition. The high -arched ruins evoke an air of solemnity and mystery, surrounded by meticulously elaborate plant details. Earth and dark green tones dominate this section, immersing ourselves in an environment of sober choice.

The representation of "Ruslan and Ludmilla" by Mikhail Glinka, positioned to the center, distills an energy vitality. The brightest colors and dynamic lines are intertwined to form a scenery that catches the magical and adventurous essence of the opera. Gothic arches and structures that seem out of a fairy tale reflect the heroic and fantastic character of the musical piece.

Finally, the recreation of the underwater world of "Sadko" by Nikolai Rimsky-Korsakov, exhibits a skillful use of blue and greenish tones that, combined with the intricate details of fauna and marine flora, invite us to immerse ourselves in a reverie kingdom. Here, Bilibin demonstrates its ability to capture the fluidity and serenity of the sea, transporting us directly to the depths of the ocean.

Bilibin's visual trilogy is not only testimony of its exceptional talent as a set designer, but also reflects its deep understanding of the literary and musical contents that frame each opeistic work. This sketch, although intended to serve as a backdrop for theatrical performances, is erected as a work of art itself, capable of telling history and emotion without the need for words.

Ivan Bilibin's legacy remains in force thanks to its unmistakable style and its commitment to Russian cultural roots, manifesting a unique sensitivity for the integration of visual art with the musical narrative. This 1912 sketch allows us to appreciate how Bilibin managed to encapsulate the spiritual essence of each opera through a visual composition rich in details and emotion. Without a doubt, it is a valuable testimony of the perennial ability of this master To combine art and history.

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