Singer - 1913


Size (cm): 55x75
Price:
Sale price1.038,00 lei RON

Description

The work "singer - 1913" by Kazimir Malevich is presented as a vibrant testimony of the stylistic transition that defines the early trajectory of the Russian painter. In terms of composition, painting is an energetic example of the approach to Cubism that was clearly influential for Malevich at that time. This work is located at a crucial moment of his career, when the seeds of suprematism were still brewing, movement for which he would be worldwide recognized a few years later.

Obtaining the painting carefully, we face a visual landscape dominated by fragmented forms and a bewilderment of overlapping perspectives. The geometric elements, typical of Cubism, merger with dynamic lines and bold strokes that accentuate the sense of movement. The use of bright colors, although atypical in what would later be his suprematist work, refers us to a vigorous chromatic exploration: intense reds, emerald green, and deep ocher coexist in an unusual balance, emphasizing the drama and the energy contained in the canvas .

The central figure, of the singer, although it is perceived in an abstract way, is recognizable for her position and gestures. Its form is composed of multiple fragments that, together, offer a challenging vision of the human figure. This decomposition is not only an echo of Cubism but also a reflection on the idea of ​​multiplicity of identity and perception. The face, indefinite and multiple, seems to sing from a place of different simultaneous perspectives, evoking a visual symphony where time and space are intertwined.

A prominent aspect is how Malevich manages to maintain the tension between figure and background. Both seem to compete for the viewer's attention, in a constant game of prominence. This visual struggle somehow represents the intellectual turbulence of the times and the instability inherent in the avant -garde art. It is a tension that highlights the continuous search for new forms of representation and significance.

Another detail worth mention is the apparent influence of futurism in this work. The forms transmit a sense of movement and almost mechanical dynamism, a possible wink to contemporary interest in speed and technology. Malevich, however, addresses it from his perspective, amalgamating these ideas within his own universe, where spirituality and abstraction converge.

The historical context in which Malevich created "singer - 1913" is also crucial to understand its dimension. This painting comes from an era of great artistic and political effervescence in Russia, when artists were excited by new possibilities and radical experiments were the order of the day. Malevich, with his deep commitment to artistic innovation, was in the epicenter of this whirlwind, and this work is a palpable evidence of his creative explorations and evolutions.

Finally, "singer - 1913" It is a work that invites us to reflect on the nature of perception and representation. Kazimir Malevich not only predicts his future incursion into total abstraction with this painting, but also challenges the viewer to confront and participate in his fragmented vision of the world. We are facing a piece that, although rooted at a specific moment in art history, continues to resonate with surprising force, reaffirming the relevance and innovation of Malevich's visionary talent.

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