Portrait of an old man (Johann Harms) - 1916


Size (cm): 60x75
Price:
Sale price1.070,00 lei RON

Description

The work "Portrait of an old man" (1916) by Egon Schiele is a piece that encapsulates the emotional essence and distinctive technique of the Austrian artist. Schiele, known for his expressionist style and his bold approach to the human figure, offers in this portrait a powerful representation of Johann Harms, a character that reflects the vulnerability and depth of human experience through age. This portrait is not only a physical representation, but also a testimony of psychological introspection that characterizes Schiele's work.

The composition of the painting is monumental in its simplicity. Harms is captured in a half -body portrait that is located against a background that seems to hint an empty, almost symbolic space of isolation and loneliness that often accompany old age. The predominant colors are tones of brown, ocher and green that provide a feeling of severity and severity. This color use is not accidental; Through him, Schiele intensifies the sensation of the fragility and temporality of life, recurring elements in his work.

The elder's facial features are treated with great detail, where the lines and wrinkles are emphasized, which highlights the wisdom and the story of a lived life. This detail attention not only highlights the subject's experience, but also reflects Schiele's own approach to the human figure, where each imperfection tells a story. The look of the old man, direct and penetrating, suggests a reflection on his past, inviting the viewer to consider the burden of his opinions and experiences.

A remarkable aspect of this portrait is its technical courage. Schiele's palette, although subtle, manages to transmit deep nuances of emotion. The combination of accentuated shades and contours reveals the author's mastery in the use of the line, giving the forms a vibrant almost sculptural quality. This approach resonates with the expressionist movement to which Schiele belongs, where works often seek to establish a direct emotional connection with the viewer.

Schiele was an artist who advanced to his time, and his ability to explore human psychology through the portrait distinguishes him within the panorama of the art of the twentieth century. In "portrait of an old man", his interest in the decomposition and reconstruction of the human figure is evident, based on honesty and authenticity. The way in which loneliness and deterioration of the human condition portray is, in many ways, a precursor to existential explorations that would mark art in the following decades.

Egon Schiele, through this portrait, not only captures the essence of an individual, but also invites you to reflect on the passage of time, memory and feelings that emerge throughout life. "Portrait of an old man" thus becomes a mirror, both for the subject and for the viewer, resonating with the universal themes that go beyond mere visual representation. With each look, one could be contemplating not only the life of Johann Harms, but also his own existence, the fragility of old age and the unavoidable reality of the passage of time.

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