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Description

Kazimir Malevich, one of the most influential figures of modern art, remains an enigma for many critics and fans of his work. His "mystical (mystic)" painting, an immersive creation in the vast gallery of his career, is a window to the depth and complexity of his artistic thinking, which goes beyond the mere pictorial act and enters the philosophy and spirituality .

The "mystical" work is characterized by its bold abstraction, in which geometric elements dominate the composition. This painting belongs to a period in which Malevich, known as the creator of suprematism, was exploring new forms of expression that transcended the limits of the representational. In "Mystic", Malevich adopts a minimalist approach that evokes a feeling of introspection and mysticism, as the title suggests.

Observing painting, you can see a preponderant use of geometric shapes: rectangles and squares that intertwine in harmony by challenging any rigid logic of figurative art. The color palette, although limited, is shocking. The contrast between the dark funds and the most vibrant forms of colors, such as white, red and black tones, not only creates an intriguing visual dynamic, but also suggests a spiritual and esoteric plane that Malevich intended to explore. It is as if the geometric figures were hieroglyphs of an arcane language, a bridge between the visible and the invisible, the material and the transcendent.

In the tradition of suprematism, Malevich rejected the objective representation of reality in favor of compositions that praise the supremacy of pure sensitivity or elementary forms. "Mystic" is no exception. Instead of recognizable characters or scenes, the work presents a meditative, almost metaphysical space, which demands a deep and subjective contemplation. This abstraction creates a feeling of infinity and vacuum full of possibilities, where each spectator can project their own interpretations and emotions.

Malevich wrote extensively about his theory of art, and to truly understand "mystical", it is essential to take into account his suprematist manifesto. According to the artist, the real artworks They were those that captured the essence of the human spirit, without the bonds of worldly representation. Art, for Malevich, was a way to achieve a higher dimension of thought and perception. In "mystical", this philosophy is reflected in solitude and in the interaction of geometric shapes, which seem to float in an indefinite space, referring to a reality that is beyond physical reach.

Malevich's work has been compared to the works of other great innovatives of abstraction, such as Wassily Kandinsky and Piet Mondrian. However, his particular approach to spirituality and philosophy distinguishes his art significantly. "Mystic" can be seen as an exercise in what Malevich himself would describe as the "non -objective world", a world where forms do not represent objects of the natural world, but states of the soul.

In the broader context of his career, "mystical" embodies the principles of suprematism that were the registered mark of Malevich. The work invites us to deepen the exploration of vacuum and fullness, silence and significance. Each form, color and disposition is a declaration of the tireless search of the artist for a fundamental truth that is beyond ordinary perception.

"Mystic" is, therefore, an essential piece not only for its aesthetic value, but for its ability to lead us to reflect on our own existence and our place within the vast and enigmatic cosmos. In this sense, Malevich's legacy is still alive, inciting new generations to question, explore and, finally, find their own connection with the ineffable.

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