Death call - 1934


Size (cm): 50x60
Price:
Sale price885,00 lei RON

Description

The work "Call of Death" (1934) by Käthe Kollwitz is one of the most emblematic pieces of the artistic approach of this outstanding figure of Germanic expressionism, known for its deep social commitment and its ability to represent human suffering. In this painting, Kollwitz explores the issue of death, a recurring motive in his work, reflecting both the personal and the universal in the suffering of humanity.

In the composition of the work, there is a conscious use of space and the form that evokes the imminence of tragedy. Through a vertical format that constrains the central figure, Kollwitz makes the viewer feel the pressure of the moment, intensifying emotional tension. The figure of death, represented with a dark mantle and a face stripped of features, is almost like a shadow that surrounds and consumes the characters that surround it.

The color in "call of death" is predominantly gloomy, dominated by a palette of dark tones, which accentuates the atmosphere of desolation and restlessness. Black and gray shades create a feeling of heaviness, referring to the burden of human suffering that the artist tries to communicate. This use of color not only establishes the tone of the work, but also becomes a vehicle to evoke emotions of sadness, hopelessness and fatalism.

As for the characters that appear in the work, human figures can be observed, whose expressions and positions are impregnated with pain and resignation. These representations evoke the duel in the face of the loss and uncertainty surrounding death. It is not an individualized portrait, but rather archetypal figures that represent the collective experience of suffering. The interaction between the figure of death and the characters is almost palpable, illustrating the inevitable encounter between life and its end, an issue that Kollwitz addresses with remarkable sensitivity.

Käthe Kollwitz, who lived between 1867 and 1945, is recognized for his activism in favor of human rights, especially with regard to the living conditions of the working classes and the representation of motherhood and loss. His art is characterized by deep empathy for the marginalized, which is revealed in his numerous works, whether recorded or sculptures. The connection he established with his own personal suffering, particularly after the loss of his son in World War I, infuses his work an emotional authenticity that resonates in "call of death."

This work is located in a historical context marked by the ravages of war, suffering and alienation, issues that can be observed in other works of their time, such as "the mother" or "children." Although each of these pieces addresses different aspects of human experience, the constant presence of death as an inexorable and tragic element is a conductive thread as a whole, giving the work a timeless relevance.

The "call of death" is undoubtedly a testimony of Kollwitz's ability to transform anguish into art. In this painting, the technical mastery and deep humanitarian sense of its creator are combined, offering the viewer a reflection on the life, loss and fragility of human existence. Through his unique expressionist style, Käthe Kollwitz invites us to confront our own emotions and experiences in the face of death, revealing a shared truth that transcends time and space.

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