STREET - LILAS - SOL DEL HOUDS - 1918


Size (cm): 70 x 60
Price:
Sale price€207,95 EUR

Description

The work "Calle - Lilas - Sol del Hoy" (1918) by John Sloan is presented as a fascinating look at urban life through exceptional talent to capture intimacy in everyday life. Sloan, considered one of the main exponents of the Ashcan School's movement, is known for his interest in portraying real life and the vibrant spirit of US cities. In this work, the artist captures an instant in the life of a street, where the lilacs bloom in an exuberant color mantle that contrasts wonderfully with the urban environment.

When observing the composition, the meticulous organization of the elements within the framework becomes evident. Lilas occupy a prominent place in the lower part, such as an outbreak of nature that makes its way between the built environment. This compositional decision not only serves to guide the viewer's gaze, but also establishes a dialogue between the natural and the artificial. The representation of the lilas is lush and sensual, filling the painting of a vibrant purple color that stands out before a more neutral background, where terrible and gray tones predominate. This chromatic tension symbolizes the struggle between nature and the urban environment, a recurring theme in Sloan's work.

The use of light in this painting is essential to create the atmosphere of a sunny noon. The sun's rays illuminate the lilacs almost palpable, highlighting their texture and the nuances of color. This treatment of light and shadow is characteristic of Sloan, who manages to instill life to its urban landscapes through the ability to capture the variations of natural light. Although the work lacks human figures in the foreground, its absence does not remain vitality; Rather, it suggests the omnipresence of life that takes place in the street, which implies a sense of community and citizen activity that feels even without its direct representation.

It is important to note that "Calle - Lilas - Sol del Medodía" is located in a historical context marked by the social and cultural transformation of the United States after the First World War. During this time, the Ashcan School movement, which Sloan belonged, pushed the limits of conventional art, seeking to portray life as it was, without idealizations. Sloan's honest and direct approach to the urban environment reflects a concern to capture the essence of American life, from the bustle of cities to the serenity of nature, an aspect that this work manages to encapsulate in a masterful way.

Through this painting, John Sloan invites us to reflect on the duality of urban and natural space. The work is not only a portrait of a street in an instant of time, but also a representation of the continuous dialogue between nature and human development. With its ability to transform the everyday in art, Sloan reminds us of the beauty that is found in the most unexpected places and offers us a poetic vision of life that takes place under the midday sun.

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