Ships - 1919


Size (cm): 70x55
Price:
Sale price€201,95 EUR

Description

Pavel Filonov, an enigma of Russian art and an essential figure of the movement of buffuturism, leaves us perplexed and amazed with his work "Ships - 1919" (Ships - 1919). In this painting, Filonov does not conform to a simple representation of visible reality; Instead, it offers us a fragmented and complex vision of the world, articulated through its distinctive analytical style. The Filonov technique, which he called "analytical art", seeks to unravel the internal essence of objects through the decomposition and subsequent reconfiguration of its constituent elements.

Observing "ships - 1919", the first thing that attracts attention is the dense plot of lines and shapes that seem to emerge and dissolve simultaneously in a sea of ​​details. The vessels, although discernible in a first glance, are quickly transformed into an amalgam of intertwined geometric fragments. This use of fragmented and intertwined forms is characteristic of Filonov, who saw in this technique a way to capture not only the external appearance of objects, but also their internal dynamics and their historical development.

The composition of the work is held in a delicate balance between figuration and abstraction. The bows and helmets of the ships are delineated by precise and calculated use of lines, but are surrounded and in many cases invaded by forms similar to almost mechanical gears and structures. This intertwined generates an almost chaotic atmosphere, a reflection of the climate of instability and change that characterized the Europe of interwar.

The color in "ships - 1919" deserves a special mention. Filonov uses a limited palette, predominated by ocher, brown and gray tones, occasionally splashed by deep blue and red -off. This chromatic choice not only gives the work an earthly and organic sensation, but also seems to underline the materiality and weight of the subjects represented. Beyond the surface of the colors, the texture of the paint adds another layer of complexity; Filonov applies paint in fine layers that create a sense of depth and stratification.

While this painting is devoid of human figures, the presence of ships inevitably evokes human activity. The ships, in this composition, seem suspended in an indefinite time and space, as if they were relics arrested in a perpetual moment. This anchor in time probably reflects the historical vision of Filonov, for whom each object carried with them its own biography and that of humanity that had created it.

"Boats - 1919" is revealed, then, not only as a work of art, but as a complex map of reality, a reality that Filonov encourages us to unravel with patience and care. In the middle of the visual maelstrom, the viewer becomes an explorer, sailing through the multiple strata of meaning that the artist has hidden behind each line and each shape. This approach turns Filonov into a precursor of modernism and a visionary who knew how to get ahead of his time, inviting us to see the world not only with our eyes, but also with the mind and soul.

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