Portrait of Charles X in Coronation Robes - 1829


size(cm): 50x75
Price:
Sale price€200,95 EUR

Description

The work "Portrait of Charles X in Coronation Robes", painted in 1829 by the neoclassical master Jean-Auguste-Dominique Ingres, represents one of the peaks of official portraiture in the context of French art of the first half of the 19th century. In this painting, Ingres captures not only the figure of the monarch, but also the complexity of his personality and the socio-political context of his reign, marked by instability and controversy.

Charles X, the last king of the House of Bourbon, is depicted in a manner that highlights his authority and solemnity. The composition focuses on the monarch, whose noble and erect posture is enhanced by the use of an exquisitely detailed coronation robe. This robe, adorned with gold motifs and a ceremonial touch, unfolds subtly, creating a visual effect that draws the viewer’s gaze to the king’s face. The combination of warm and cool colors in the fabric suggests both luxury and dignity, elements that Ingres handles masterfully, reflecting not only Charles X’s social status, but his image as a ruler in times of change.

The palette employed by Ingres is rich and varied. The dark background contrasts with the lighter, brighter colours of the king’s clothing, which not only highlights the central figure but also lends the portrait an almost solemn atmosphere. Subtle shadows and strategic lighting on Charles X’s face add depth, allowing the king’s features to strike a perfect balance between idealisation and reality. Known for his ability to render human skin and faces with almost photographic precision, Ingres achieves an effect that evokes empathy for the subject, despite the controversies that surrounded it.

The serene, contemplative expression of Charles X, together with his gaze slightly to one side, suggests an introspection that seems to go beyond mere physical representation. This element is characteristic of Ingres, who often manages to infuse his portraits with a degree of deep introspection, inviting the viewer to reflect on the inner life of the sitter. The work reminds us that behind the power and royalty, there is a human being with thoughts and emotions, a detail that Ingres admirably captures.

"Portrait of Charles X in Coronation Robes" stands not only as a symbol of neoclassical art, which is characterized by clarity of form and the idealization of the human figure, but also as a historical document that encapsulates the conflict between tradition and change that defined the era. Unlike his contemporaries who sought new paths in Romanticism, Ingres remained faithful to his neoclassical principles, preferring clarity of line and balance in composition.

This work also shares the same style as other royal portraits of the period. When compared to the portrait of Louis XIV in full regalia or to depictions of other European monarchs, one can see a continuity in the veneration of power through art. However, Ingres's work is distinguished by its ability to fuse the grandeur of the subject with an almost intimate sensitivity to its humanity.

In conclusion, the “Portrait of Charles X in Coronation Robes” is a masterpiece that transcends the mere depiction of a monarch. In the hands of Ingres, it becomes an exploration of human dignity, the burden of power, and the complexity of royal identity. The painting remains a testament to the exceptional talent of its creator and an enduring legacy within the history of art.

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