Illustration for the Russian fairy tale "The Rana Princess" - 1899


Size (cm): 55x75
Price:
Sale price€208,95 EUR

Description

Ivan Bilibin, an outstanding Russian illustrator of the nineteenth century, found in the folklore an inexhaustible source of inspiration. His work "Illustration for the Russian fairy tale 'La Princesa Rana'" of 1899 is a prodigious sample of his ability to capture the essence of Russian traditional stories. The painting in question illustrates a moment of the famous fairy tale "Princess frog", a history impregnated with magic, transformation and dualities between the human and the animal.

The composition of the work is a testimony of the distinctive style of bilibin, which is characterized by a meticulous use of the line and an exquisite sense of detail. An almost theatrical framing predominates in the illustration, an idealized scenario where the visual narrative unfolds. In the center, we see the figure of the frog princess, thin and real porte, wrapped in clothing that evokes both their animal origin and its true royal nature. The proportions and expressions of the characters are stylized, almost archetypal, which reinforces the mythical and timeless nature of the story.

The use of color in the work is another aspect worth mentioning. Bilibin uses a palette of vibrant and contrasting colors, but always balanced and consistent with the Russian decorative tradition. The green and blue tones of the frog-princess are complemented with the red and golden reds, creating a chromatic harmony that enhances the fantastic atmosphere of the story. This use of color also serves to highlight the symbolic elements of paint; Green, traditionally associated with nature and life, contrasts with the warmer colors, symbol of wealth and nobility.

The surrounding environment is equally significant. Bilibin was known for his attention to detail and this is reflected at the bottom of the Enlightenment, which presents a wooded and enigmatic landscape, typical of the Russian imaginary. This forest is not merely decorative; It is loaded with symbolism and is almost a character in itself, that suggests a world full of mysteries and evidence to overcome. The intricate lines of the trees and foliage not only serve to give depth to the scene, but also to create a frame around the protagonists, focusing the viewer's attention on the central drama.

In this work, Bilibin not only tells a story; It also pays tribute to the rich artisan tradition of Russia. The ornamental patterns and designs present in the costumes and in the environment reflect their love for embroidery, religious icons and other Russian popular art forms. In addition, his focus on line aesthetics and decoration underlines his training at the Paris Secession School, where artists like Gustav Klimt significantly influenced their stylistic development.

In conclusion, "Illustration for the Russian fairy tale 'Princess Rana'" of Ivan Bilibin is a work that goes beyond a simple illustration of a fairy tale; It is a celebration of Russian culture and art. His meticulous attention to detail, chromatic harmony and rich symbology make it a fundamental piece to understand not only the narrative of Russian folklore, but also the evolution of illustrative art in the early twentieth century. Bilibin, through this work, invites us to immerse ourselves in a world where beauty and narrative are intertwined in an eternal hug.

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