Here we make love - 1893


Size (cm): 50x75
Price:
Sale price€200,95 EUR

Description

The work "here we make love" by Paul Gauguin, painted in 1893, is a clear reflection of the search for intimacy and the exploration of human emotions that characterize much of the artist's production; In addition, it is registered within its post -impressionist approach, where vibrant coloring, the simplification of forms and the evocation of a symbolic world are fundamental. This painting, emblematic of symbolism and aesthetic renewal of the late nineteent Your work.

In the work, Gauguin presents a composition that stands out for its bold pictorial plane and an intentional use of color. The saturated colors, from deep green to gold and orange tones, invoke a sense of warmth and immediate connection with the environment. The fusion between the human and natural space is palpable; The figures that appear in the painting seem to integrate into the landscape, symbolizing the union between love and earth, between the spiritual and the earthly.

The characters in the play convey a sense of serenity and emotional depth. In a moment of clear dialogue between the figures, we observe a couple that starts a connection beyond the mere physical act; Its expression and posture suggest a communion that transcends the carnal. The choice to represent the subjects in an almost stylized way, in a frontal plane, serves to emphasize not only the intimacy of their relationship, but also the simplicity of their forms. This representation is aligned with Gauguin's tendency to minimize superfluous details, focusing on the essence of human emotions.

An aspect that makes this painting notable is its cultural and symbolic context. Gauguin sought in Tahiti not only an escape from European life, but also the representation of a primitive and pure world, which contrasted with what he considered a decadent civilization. The choice of title, "here we make love", implies not only a physical act, but a celebration of human connection and love in a space that Gauguin idealizes as innocent. The fusion of love with Tahiti's landscape appears as an implicit criticism of industrialization and modern life of his time, a recurring theme in his work.

This painting also places Gauguin within a broader artistic dialogue, being linked to the tradition of the Nabis and their post -impressionist contemporaries, who shared an interest in symbolism and emotional expression through new renewed techniques about the representation of the world. Although some can see this work as an exploration of exotism, the LENs of intimacy and the timeless connection he presents also invokes a reflection on love as a universal human imperative.

"Here we make love" is not only an aesthetic manifestation, but a testimony of the complexity of human interactions and a meditation on the meaning of love in a world in constant change. Gauguin's work is part of an artistic and cultural context that remains relevant, inviting spectators to reflect on their own emotional realities and aspirations.

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