Description
The work "Don Quijote - Vista from behind" by Paul Cézanne, executed in 1875, is presented as a fascinating exploration of the literary figure of the gentleman of the sad figure, interpreted through the lens of a master of post -impressionism. In this work, Cézanne invites us to enter the psyche of Don Quijote through a representation that moves away from the conventional literary story to offer a more introspective and abstract vision.
The composition of the painting is remarkable for its simplistic but effective disposition. The heart of painting It is occupied by the figure of Don Quijote, who is on his back, which offers the viewer a unique and unusual perspective in the character's portrait. Instead of showing it in action, facing giants or rescuing damsels, Cézanne chooses to make us participate in a moment of introspection. This approach not only reinforces the sense of loneliness of the character, but also allows the viewer to integrate his own interpretation of the mythical figure in the painting.
Cézanne uses a subtle and terrous color palette, predominantly the brown and the greens that evoke an intimate connection with the landscapes that characterize the French artistic tradition. The use of color is not only decorative, but it works as a means to communicate the atmosphere of the environment in which Don Quixote is located. The texture of the painting, typical of Cézanne's style, is palpable; Their brushstrokes are brief and determined, which gives the work an interesting dimension of volume and shape.
The intricate disposition of tones achieves that the fund of the painting It flows gently, creating a dialogue between the figure of Don Quijote and the surrounding space. This relationship is fundamental in Cézanne's work, who often worried about the interaction between objects and their environment, seeking to reveal the essence of the subject rather than its superficial appearance.
In terms of characters, the figure of Don Quixote is the only visible protagonist of the work, but his presence is enough to invoke the narrative of a tragic hero and Bumbo. The choice to represent it from behind can be interpreted as a reflection on its introspective nature and its disappointment with a world that surrounds it and that often does not understand its greatness. When absent from the usual narrative context, Cézanne invites the viewer to participate in the construction of the meaning of the scene.
Cézanne, a fundamental figure in the development of post -impressionism, is distinguished by its innovative approach towards form and color, which allows fragmenting reality in its most essential elements. "Don Quijote - Vista from behind" is, in this sense, a work that is registered within a broader set of its production in which the thorough observation of the natural world faces the limits of conventional representation. Through his works, Cézanne challenges the traditionally accepted notions of art, opening the door to Cubism and other currents that will redefine the painting in the twentieth century.
Thus, while the figure of Don Quijote becomes independent of his literary story and becomes a symbol of introspection and endless search, Cézanne manages to capture the complexity of this character in a scene bathed in the silence that precedes a heroic act. The work is not only a tribute to the rich literary tradition, but also a testimony of the transforming power of art, capable of expressing human emotions and conflicts through the simplicity of form and color.
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