Description
The painting entitled "Suprematism - 1918" by Kazimir Malevich is a work that encapsulates the essence of an artistic movement that he himself founded: suprematism. At first glance, the work presents an intricate assembly of floating geometric shapes that seem to free themselves from traditional conventions of visual and narrative representation. The painting, executed in 1918, reflects the culmination of the aesthetic searches of Malevich, who aspired to transcend the material to achieve a purest perception of reality through art.
The composition of "suprematism - 1918" is a symphony of shapes and colors that interact without the mediation of pre -established meanings. The work is characterized by the total absence of human characters or naturalistic elements, leaving only the geometric figures that juxtapose and intertwine harmoniously. This represents a radical break with figurative art and symbolizes the search for the supremacy of pure sensitivity in art. When observing the work, rectangles, squares and lines that seem to float in an indefinite space are perceived, achieving a sense of movement and dynamism despite the rigidity of the figures.
The colors in "suprematism - 1918" are also a key element to understand the intention of the artist. Malevich uses a restricted but effective palette, composed mainly of black, red and white. These colors, being planes and solids, reinforce the two -dimensionality of the pictorial plane and, at the same time, seem to vibrate with a particular intensity. The white of the background is not simply an emptiness, but an active space that interacts with the other forms, giving them a context and a reason for being. Red and black forms, on the other hand, seem to challenge us to see beyond the merely superficial, evoking a sense of emotional and spiritual depth.
The suprematism, as movement, emerged from the deep philosophical convictions of Malevich, who believed in the ability of art to connect with a superior reality, beyond the limited sensory perceptions. This movement sought to achieve a "non-objective reality" in which art would not represent anything concrete of the material world, but to concentrate on elementary shapes and colors. "Supremeism - 1918" is a palpable manifestation of these principles, a kind of window to the inner cosmos of Malevich.
It is impossible to talk about this painting Not to mention other similar works of the artist, such as "Black Square" and "White square on White background", which continue this geometric and abstract language. Are paintings They mark a crucial moment in art history, where the borders of the representable and the ineffable were widely challenged. Malevich, with his "suprematism - 1918", invites us to contemplate a universe where the shape and color become the only protagonists, transcending conventional time and space.
In conclusion, "Supremeism - 1918" by Kazimir Malevich is a work of art that not only defines a movement, but also challenges and expands our perception of art itself. Through its bold use of geometric shapes and elementary colors, Malevich leads us to a reality where concrete restrictions are supplanted by the purity of aesthetic experience. In this work, the limits of the visual are blurred, opening the way to a new way of understanding and living art.
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