Samovar - 1913


Size (cm): 50x75
Price:
Sale price865,00 zł PLN

Description

The work "Samovar" of 1913, created by the pioneer of avant-garde art Kazimir Malevich, is a vivid example of dynamism and the coalescence of styles that marked an era of great artistic effervescence in pre-refolutionary Russia. Malevich, known mainly for its foundation of suprematism, uses in this piece a visual language that reflects a transition from Cubism to geometric abstractions that would dominate its subsequent work.

In "Samovar", the cubist influence is undeniable, with a composition that fragments reality in geometric shapes and color planes. The Samovar, central object and emblem of the traditional Russian culture, is decomposed and reinvented through a visual collage of angles and overlays. This technique not only breaks with the conventions of three -dimensional representation, but also introduces a sensation of movement and temporality, almost as if we were seeing multiple perspectives simultaneously.

The color palette used by Malevich in this work is decidedly contrasting and vibrant. Dominated by warm and cold red, yellow, blue and black tones, the chromatic choice suggests not only meticulous attention to balance, but also an intention to cause an emotional reaction in the spectator. These colors, applied in light shapes and blocks, create a visual tension that keeps the observer in a state of constant discovery.

It is difficult to find characters in "Samovar" in the traditional sense; However, the work is impregnated with references to daily life and Russian culture. The Samovar, symbol of hospitality and family life, acts here as a bridge between the old and the new, between the familiar and the strange. This daily object is presented in a way that makes it almost unrecognizable, transformed into a metaphor for the evolution of art at this time.

Samovar's deconstruction can also be interpreted as a Malevich reflection on modernity and dehumanization caused by industrialization. The work communicates a subtle social criticism by representing a traditional object under the distortions of modernity, showing how values ​​and traditions are resolved in the context of a changing world.

It is important to note that this painting is part of a broader period within Malevich's work that prefigures its movement towards suprematism, an artistic phase that defined as the supremacy of pure sensation in art. Although "Samovar" is not a purely suprematist piece, the first steps towards simplification and abstraction that would later characterize their work can already be discerned.

In conclusion, "Samovar - 1913" It is not only a manifestation of the cultural and stylistic influences that Malevich absorbed and transformed, but also a work that serves as a threshold towards its radical and revolutionary posterior artistic exploration. Through its geometric composition, its vibrant color palette and its bold reinterpretation of everyday reality, Malevich takes us to a visual trip that challenges conventional perceptions and invites us to reconsider the nature of objects and art itself.

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