Portrait of Tien Po - 1931


Size (cm): 55x75
Price:
Sale price906,00 zł PLN

Description

In the vibrant portrait "portrait of Tien Po" of 1931, Alexandre Jakovleff, also known as Alexandre Yevgenyevich Jacovleff, transports us to an era and a cultural context that transcend the tight borders of the mere representation. This portrait is a palpable manifestation of Jakovleff's multifaceted talent in the capture of human essence through its experimentation with color and composition.

The protagonist of the work, Tien Po, unfolds before us with an imposing presence that Jakovleff has managed to capture meticulously. The intricate details of his outfit are testimony of the rich cultural and social background that the artist wanted to capture. Dressed in a traditional Chinese garment, it shines on the scene as a being that seems to be imbued with energy and serenity at the same time. The meticulousness in the representation of the pattern of clothing and the ornaments used suggest a fervent dedication of the artist to authenticity and historical precision.

The use of color in this paint is equally masterful. Jakovleff adopts a vibrant palette, but at the same time sober, which balances warm and cold tones with a harmony that can only be achieved by a master accomplished. Tien po's skin is represented with a hue that reflects natural lighting, giving it a realism that is intertwined with the almost mystical character of the figure. The background, in a subtle contrast, does not distract, but complements and highlights the central figure, giving it a space where you can breathe and attract the viewer's gaze without obstacles.

Tien po's face is undoubtedly the focal point of the portrait. The character of the character, serene but deep, invites viewers to contemplate beyond the surface. There is an underlying mystery in their eyes that possibly reflect internal contemplation or a sense of wisdom accumulated over the years. Jakovleff manages to provide the portrait not only with a physical presence, but also a psychological depth that seems to transcend the canvas.

Alexandre Jakovleff, of Russian origin, is known for his vast the ability to incorporate and celebrate different cultures through his works. He had traveled widely through Asia and Africa, and his work often reflects a genuine respect and a fascination with the cultural diversity he found in his days. "Portrait of Tien Po" is an immaculate sample of this stage of his career. Although sometimes its name has been associated with styles such as orientalism, its approach differs by its authenticity and its resistance to falling into simplistic stereotypes.

It is appropriate to mention that Jakovleff was a prolific member of the Mir Iskusstva artistic group (the art world), which enriched his perspective and granted him an academic background that is reflected in his meticulous technique and in his detail attention. His ability to capture the soul of those who posed before him, imbued with a respectful and observer atmosphere, distinguished him among his contemporaries.

In short, "portrait of Tien Po - 1931" is not simply a representation of an individual; It is a window to a culture, an era and a philosophy of life. Jakovleff's ability to amalgamate technique, color and cultural sensitivity on a single canvas is a reminder of the durable power of the portrait in the plastic arts. This work remains an eternal testimony of the universal language of art that Alexandre Jakovleff managed with unparalleled mastery.

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