LOS PHARES - 1941


Size (cm): 50x35
Price:
Sale price585,00 zł PLN

Description

The work "Los Pears" (1941) by Horace Pippin is a powerful manifestation of the struggle and suffering in the context of African -American experience. Pippin, a self -taught artist known for his narrative and emotional approach, uses a composition that not only captures an instant of physical pain, but also evokes a deep sense of social injustice. He painting It illustrates a scene in which a man, clearly with features of dignity and resistance, is whipped, while two men standing at a position that suggests both violence and the expectation of the crowd.

The composition is remarkable for its use of space and the representation of the characters. The central figure, inn at the bottom of the work, is surrounded by an environment that secludes its suffering. The characters are represented with clear contours and expressions that allow us to understand the seriousness of the scene. Pippin, with his unique style, manages to transmit emotions through his figures, whose simplicity forms a powerful contrast to the hardness of the action that is being carried out. The various skin shades and the expressions created by enveloping colors grant an air of realism to emotions, which resonates with the viewer.

The use of color in "the whipping" is another aspect worthy of analysis. Pippin uses an earthly palette that covers warm and ocher browns, which provides a sense of authenticity and connection with the historical and social context of the African -American community. Despite the hardness of the subject, the tones chosen by Pippin lead us to a deeper contemplation, generating questions about resistance, oppression and human dignity. It can be seen that although the action of whipping is violent, there is also a kind of reverence towards the figure on the ground, which suggests that the artist tries to portray not only suffering, but also the resilience of the human spirit.

"The whipping" is a clear example of the Pippin style, characterized by its affinity towards the narrative, the autobiographical and the historically dark. Through this work, as in many of its other paintings, Meditation on racial identity and injustice that permeates all its work is peeled. His approach often refers to an almost folk aspect, in which stories are related that transcend the merely visual, integrating in his images an emotional burden that invites reflection.

In the context of African American painting, "the whipping" stands out between the contemporary works of Pippin and its contemporaries, since it manages to capture the viewer's attention towards the dynamics of violence and oppression, while maintaining in distinction the dignity of the individual . This process of capturing human suffering while exalting resistance is a distinctive seal of Pippin's work, who dedicated his life to providing a visual voice to the struggles of his people. The work is not only a testimony of pain, but also a reminder of perseverance and the struggle for justice, an issue that resonates not only in its time, but also in the present.

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