Kisegawa Of Matsubaya - From The Series 'Seven Komachis Of Yoshiwara' - C.1795 (Wood Engraving) - 1795


Size (cm): 50x75
Price:
Sale price866,00 zł PLN

Description

Kitagawa Utamaro’s “Kisegawa De Matsubaya,” created around 1795 as part of the “Seven Komachis Of Yoshiwara” series, is a sublime example of ukiyo-e art, a genre that captured the essence of life in Edo-period Japan. Through his masterful use of woodblock prints, Utamaro pays homage to the pleasure house culture of Yoshiwara, a district renowned for its beautiful courtesans. This piece is notable not only for its beauty, but also for the emotional complexity and subtlety of the female depiction.

The composition of the work is intriguing, with a focus on the figure of Kisegawa, who is prominently featured in the foreground. Her pose is delicate and elegant, suggesting both grace and vulnerability. The attention to detail that Utamaro employs in capturing the feminine essence is notable; we can also observe how her hair is finely coiffed and adorned with floral accessories, common features that reveal the fashion and social status of women of her time.

The use of color is another notable aspect of this work. Utamaro uses a soft and harmonious palette, varying from light shades of pink and blue to darker, deeper hues, creating a visual contrast that draws attention without being overwhelming. This use of color is emblematic of her style, where each tint enhances the delicate and ethereal nature of the female figure. The choice of colors also alludes to the aesthetic of ukiyo-e, which sought to reflect the ephemeral beauty of the world and the human experience.

The elements of the composition are arranged in such a way as to direct the viewer’s gaze towards the central figure. This technique illustrates Utamaro’s ability to guide the visual narrative. The figure of Kisegawa is not only a portrait of a beautiful woman, but also serves as a symbol of the everyday life and sensuality of the Yoshiwara world. In the background, an elaborate textile decoration suggests the richness of the surroundings and highlights the underlying social critique present in Utamaro’s works.

Utamaro also manages to provide an almost intimate sense to the viewer, as if inviting them into Kisegawa's world. Through his gaze and posture, a personal connection is established that transcends time and space, allowing the contemporary viewer to enter into a rich and complex perception of psychology and desire. This underlines the artist's ability to turn a simple image into a profound meditation on beauty, desire and identity.

It is interesting to note that Utamaro is considered one of the great masters of ukiyo-e, and his work includes not only portraits of women but also landscapes and scenes of everyday life. His ability to capture the nature of his subjects has placed his work in a preeminent place in the history of Japanese art and has influenced Western art. "Kisegawa De Matsubaya", being part of the "Seven Komachis" series, reflects the fashion of the time, as well as society's fascination with female beauty and the world of courtesans.

Kitagawa Utamaro's work remains an enduring testament to the culture and aesthetics of his time, capturing something deeply human in his depiction of life's ephemeral beauty. His ability to fuse the mundane with the sublime makes "Kisegawa De Matsubaya" an artistic gem that endures beyond its historical context, resonating with the viewer universally.

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