Exlibris of V. Loboykov - 1902


Size (cm): 55x75
Price:
Sale price887,00 zł PLN

Description

The work "Exlibris of V. Loboykov" by Konstantin Somov, created in 1902, stands as a prominent example of Russian symbolism and the unique artistic approach of its author. Somov, acclaimed for his mastery in the representation of the human figure and the ornamentation of his works, delves into a world where mythology and reality intertwine, evoking a sensation that is both dreamlike and intimate. This exlibris, intended to identify Loboykov's personal belonging, is more than a simple mark of ownership; it is an aesthetic and symbolic exploration of identity and culture.

At the center of the composition, Somov presents a subtly idealized portrait that rises gracefully. The female figure, which seems to represent a muse, is enveloped in flowing garments that swirl around her, suggesting movement and life. Her serene, almost contemplative expression invites the viewer to engage in a silent dialogue. The use of elegant, sinuous lines is characteristic of Somov's style, who incorporates a decorative quality that refers to his admiration for the art of the past, including Japanese art and Pre-Raphaelitism.

As for the color palette, "Exlibris of V. Loboykov" is characterized by soft pastel tones that prevail in the background and in the figure, creating an ethereal atmosphere. The subtle variations in color tones, from sky blues to pinks, contribute a luminosity that envelops the work in a dreamy aura, a common trait of the symbolism of the time. This color choice, along with the mastery in the application of paint, creates an almost three-dimensional effect that enhances the presence of the central figure.

Somov also showcases his skill in detail, where every fold of the dress and every feature of the face are executed with an almost academic precision. Surrounding her, decorative and floral elements flood the space, alluding to nature and symbolizing fertility, as well as the passage of time, intimately linked to the identity of the exlibris's owner. These decorative elements not only frame the figure but also elevate it to a context that transcends the temporal, suggesting a connection with the eternal.

Somov's work is situated in the context of symbolism and modernism, where traditional codes of painting are reconfigured. The exlibris, besides being a utilitarian object, becomes a medium and a vehicle for the owner's self-expression and aesthetic refuge. It is fascinating to observe how this work encapsulates an interaction between the individual and their environment, between art and private life, something Somov mastered throughout his career.

"Exlibris of V. Loboykov" is a work that not only serves as a marker of ownership but becomes a celebration of the personal and the collective, the tangible and the immaterial. The subtlety of its execution, the warmth of its palette, and the present symbolism position it as a milestone in the work of Konstantin Somov, an artist who, through his art, continues to invite us to reflect on the complexity of identity and the beauty that can be found in the most ephemeral moments of life.

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