The Virgin Appearing to Saint Philip Neri


size(cm): 50x25
Price:
Sale price520,00 zł PLN

Description

The painting The Virgin Appearing to St Philip Neri by Giovanni Battista Piazzetta is an impressive work that captures the viewer's attention from the very first moment. This large painting (367 x 200 cm) depicts an important moment in the life of Saint Philip Neri, a 16th-century Italian saint known for his charity and devotion to the Virgin Mary.

Piazzetta's artistic style is unique and can be seen in this work. The artist uses light and shadow techniques to create a mystical and divine atmosphere. The Virgin Mary appears in the painting in a majestic and heavenly manner, with light radiating from her body and a halo surrounding her head. San Felipe Neri, for his part, appears in a humble and devout posture, kneeling in the presence of the Virgin.

The composition of the painting is impressive. Piazzetta uses a technique called "forced perspective" to create a sense of depth and three-dimensionality in the work. The Virgin Mary appears to be floating in the air, while Saint Philip Neri is in the foreground, creating a visual effect that makes the painting appear larger than it actually is.

The color in the painting is another interesting aspect. Piazzetta uses a soft and delicate color palette, which creates a sense of peace and tranquility in the work. Blue and gold tones predominate in the painting, which accentuates the feeling of divinity and spirituality.

The history of the painting is also fascinating. It was commissioned by the Church of San Felipe Neri in Venice in the 18th century and was believed to have miraculous powers. The painting is said to have healed a sick child who had been brought to the church to be blessed by Saint Philip Neri.

In short, The Virgin Appearing to St Philip Neri is a stunning work of art that combines Piazzetta's unique artistic style with stunning composition, skillful use of color, and a fascinating story. It is a work that continues to captivate viewers to this day.

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