AUTENCIENCE - 1906


Size (cm): 55x85
Price:
Sale price955,00 zł PLN

Description

Carl Larsson's "authorship" work, made in 1906, is a significant reflection of the artistic and social sensibility of the Swedish painter, who is considered one of the masters of Nordic art. Larsson, known for his watercolors and his style linked to the Arts and Craft movement, stood out for portraying everyday life, family interiority and the search for an aesthetic that united beauty and functionality. In "Self-knowledge", the artist offers us a window to intimacy and self-reflection, a recurring theme in his work.

When observing the painting, a composition rich in symbolism is revealed. In the center of the scene, there is a self -portrait of Larsson reflected in a mirror, which not only acts as a physical object, but also symbolizes the act of introspection and the search for the self. This approach in the reflection adds a layer of complexity to the work, where the spectator not only observes the representation of an individual, but is also invited to reflect on his own identity and perception. Larsson portrays with a contemplative expression, suggesting a moment of pause and reflection in his life.

The chromatic palette of "authorship" is a characteristic of Larsson, with soft and luminous tones that evoke a sense of warmth and closeness. The yellow and white nuances dominate the atmosphere, creating a cozy atmosphere that contrasts with the introspection that the act of looking in the mirror entails. This use of color not only appeals to aesthetics, but also establishes an emotional connection with the viewer, suggesting serenity and clarity.

The work shows details that reflect Larsson's talent to integrate decorative elements in his painting. Furniture patterns and the disposition of the environment are not merely decorative, but contribute to a visual narrative that frames the act of authorship. Each object seems to talk about a specific time and place, immersing the spectator in the artist's personal world and, by extension, in that of his family, whom he often portrayed in everyday scenes.

Through "self -knowledge", Larsson confronts us with the idea that art goes beyond simple representation; It is a tool for personal exploration and understanding of being. His style, impregnated with emotional sensitivity and a deep respect for domestic life, marks a milestone in the Scandinavian painting of the early twentieth century. As in other works of his, such as "the family" or "the child and the book", the fusion of intimacy and aesthetics becomes a symbol of his artistic legacy.

In summary, Carl Larsson, through "authorship", not only offers a personal portrait, but establishes a moving dialogue between the artist, his work and the spectator. The self-reflection in Larsson's work invites each one to question their identity and place in the world, while reminding us of the immense ability of art to connect the personal with the universal. This work is undoubtedly a testimony of the rich art capacity to explore the complexity of human life from an intimate and deeply human approach.

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