Workers - 1920


Size (cm): 75x60
Price:
Sale price3.013,00 NOK

Description

Pierre Bonnard's "workers" (1920) is a fascinating testimony of the artist's transition towards the most social commitment, in a period in which the world experienced deep political and social changes. Instituted in the post -impressionist movement, Bonnard is known for its particular use of color and light, which is shown in a shocking way. Although it is a tendency to associate your work with intimacy and everyday life, in "workers" a turn towards a more collective and narrative approach is perceived.

When observing the composition, the work is built on a vibrant and warm palette, in which yellow, orange and ocher tones predominate. This chromatic choice not only confers an atmosphere of warmth and closeness, but also allows the characters to emerge with some vivacity and realism, despite the characteristic stylization of Bonnard. Light becomes an almost protagonist element, accentuating forms and creating a sense of movement. The bodies of the workers seem to be in action, suggesting an almost musical rhythm, of a laborious choreography.

The characters, although they do not have marked individualities, belong to a community that is reflected in the interaction they suggest, either through their gestures or positions. These workers, who are presented in an agricultural or industrial context, lose their individuality in particular in favor of a more symbolic representation of the working class. This approach is aligned with the ideals of the avant -garde of the beginning of the century, which sought to highlight the collective experience and life of modern man.

It is crucial to mention that this work was created in a time of agitation. The 1920s witnessed the effects of the end of World War I and the emergence of political movements advocated by workers' rights. Bonnard, although more associated with symbolism and Fauvism, is sensitive to these currents. This work, in that sense, can be seen as an intersection between its intimate style and the pressing social reality of its time.

Bonnard's pictorial style, often described as an "advanced impressionism", is distinguished by his attention to color and light, but also for the concern for space and structure. "Workers" reflects these characteristics, since the disposition in which the characters are suggest not only a work scene, but a microcosm of interpersonal relationships. Bonnard manages to capture the informality of life, impregnating the painting of an energy that, despite the seriousness of its content, feels almost celebratory and vibrant.

Stylistically, this work can be compared to others from the period in which Bonnard intensified his social commitment, as well as the works of contemporary artists who explored working life and class struggle. Bonnard's experience is intertwined with his contemporaries in movements such as Fauvism and symbolism, which also explored the representation of the world through emotion and personal perception, without neglecting the rich social iconography of the time.

"Workers" is, therefore, not only a reflection of Bonnard's technical mastery, but also a window towards a significant historical moment. The work transcends its aesthetic surface and invites us to reflect on the role of art in representation and social commitment, something that Bonnard himself managed to merge with his characteristic sense of color and light. Through this canvas, not only the personal stories of the characters are inscribed, but also a collective narrative that throws light on a fundamental part of the human experience in the twentieth century.

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