The Torre de las Palomas in Bellevue - 1890


size(cm): 75x60
Price:
Sale price3.066,00 NOK

Description

The Torre de las Palomas in Bellevue, created in 1890 by the renowned French painter Paul Cézanne, is a work that encapsulates the uniqueness of its author's style, as well as its unwavering relationship with nature and its search for the underlying structure in art . In this painting, Cézanne presents a landscape that serves as a testimony of both its technical mastery and its innovative approach to the composition.

He painting It shows a pigeon tower that rises in the surroundings of Bellevue, an area near Aix-en-Provence, where Cézanne spent much of his life. The tower, a prominent architectural element, is portrayed with a series of unconventional perspectives that challenge the traditional perception of space. This work stands out for its careful construction and multiple planes, in which the use of color and shape become tools to create a sense of depth and volume. Cézanne, by focusing on the tower and its surroundings, emphasizes the relationship between natural and artificial elements, a recurring theme in his work.

The colored palette chosen by Cézanne is striking, which is characterized by terrible tones and greenish nuances that vibrate with a warm light. Through a meticulous application of the paint, a surface texture is achieved that invites the viewer to immerse the landscape. The blue of the sky and the shadows of the terrain contrast with the most illuminated areas, which reinforces the idea of ​​nature as a dynamic entity, always in dialogue with the changing light.

In the Torre de las Palomas in Bellevue, Cézanne makes use of its famous "color brushstroke" technique, a methodology that redefined the representation of the volume and the shape in the paint. This technique contributes to the contours of the tower to seem to flow with the environment, blurring the borders between the builded and the natural. In turn, this is a representation of Cézanne's post -impressionist philosophy: his desire to reduce nature to its fundamental forms through observation and personal interpretation.

Although the work lacks human figures that distracts the viewer's attention, the absence of characters adds a layer of introspection to painting. It allows a contemplation of the landscape without the intervention of the human being, suggesting a stillness and an order that resonates with Cézannian aesthetics. This approach is also related to the movement of the Nabis and other contemporaries that explored dematerialization and the essence of visual experience.

Cézanne, considered the bridge between impressionism and modern art, turns its unique approach towards visual representation in this work. The Torre de las Palomas in Bellevue can therefore be seen not only as a simple landscape, but as a meditation on the structure and depth that progressively translates into the bases of contemporary art.

Cézanne's legacy becomes evident not only in his work, but in the influence he has had on innumerable later artists. Contemporary views that play with shape and color, such as those of Henri Matisse or Pablo Picasso, often refer to the innovations raised by this archetypal figure of art.

In conclusion, the Torre de las Palomas in Bellevue is a work that not only illustrates Paul Cézanne's ability and vision, but enriches our understanding of the landscape as a subject worthy of being contemplated with the same seriousness as any portrait. Through its combination of form and color, Cézanne invites the viewer to a deeper appreciation of the subtleties of nature, reaffirming its place in the history of art.

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