Description
Kazimir Malevich, one of the giants of abstract art of the twentieth century, is widely recognized for its fundamental role in the development of suprematism, an artistic movement that emphasizes the basic geometric shapes and pure colors. The work "Supreme composition (feeling of a mystical 'wave' that comes out of the cosmos)" of 1927 is a powerful manifestation of this aesthetic, rich in implicit meanings and a distillation of its artistic and philosophical theories.
In this painting, Malevich displays a balanced composition of geometric elements that, in its arrangement and combination of colors, suggest a transcendental connection with the cosmos. The work is dominated by a white background that serves as an empty canvas, reminding us of the infinite cosmic space. This void is not a mere background, but an integral part of the work that invites the viewer to reflect on immensity and purity.
On this white background, Malevich introduces colored geometric figures that seem to float or move in space, evoking a sense of movement and dynamism. The forms are mainly rectangles and trapezoids in black, red and blue tones, primary colors that, for Malevich, have an essential and deep meaning. Black, in particular, could be interpreted as an echo of infinite cosmos, while red and blue seem to act as flashes of energy and life in the vast space.
The disposition of these geometric shapes is not chaotic; It responds to an internal, almost mystical logic, where each element seems to be placed with a precise intention. The reference to a "mystical wave" in the title suggests a rhythmic and rhythmic movement, a harmonic connection between the compositional elements that could be interpreted as the visual manifestation of the cosmic balance or universal energy.
It is important to recognize that Malevich, throughout his career, aspired to transcend the merely representational in art. With suprematism, its objective was to achieve a pure and absolute art, free from physical and earthly ties. In "suprematist composition (feeling of a mystical 'wave' that comes out of the cosmos)", we see a mature expression of these ideas, where the presence of simple geometric forms are combined to suggest not only an abstract reality, but also an immanent spirituality.
Although there are no characters in the painting, Malevich's geometric elements become protagonists themselves, transmitting a universal and timeless narrative. The interaction between the forms suggests a universe in constant transformation, where geometry embodies the fundamental principles of being and time.
Malevich left a lasting legacy in the art world with its radical vision and its commitment to pure abstraction. "Supreme composition (feeling of a mystical 'wave' that comes out of the cosmos)" remains a work that challenges and enriches our understanding of art, locating us to see beyond the visible and exploring the nuances and textures of the cosmos through the suprematism lenses. This painting not only celebrates the form and color, but also the ability of art to express the deep realities of the human spirit and the universe.
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