Sultan Hossein Mirza in Promenade (left part)


Size (cm): 55x85
Price:
Sale price3.133,00 NOK

Description

The painting "Sultan Hossein Mirza in Promenade (left part)" by Kamal Ud-Din Behzad is a magnificent example of the mastery of the Persian art of the 15th century, a period that covered the rise of miniature art in the region. Behzad, recognized as one of the most prominent painters of his time, was part of the artistic tradition that he sought not only to portray reality, but also encapsulate the essence of Persian culture through images rich in symbolism and an exceptional technique.

In this work, Behzad manages to create an atmosphere of depth and movement through its carefully structured composition. The figure of Sultan Hossein Mirza, central in the work, is represented in profile, which emphasizes its dignity and status. His clothing, richly decorated, exhibits a color palette that varies from fascinating golden tones to deep blue, reflecting the splendor of the Persian court. This attention to detail in clothing is not only a testimony of Behzad's technical ability, but also a representation of the power and wealth of its historical moment.

The background of the painting is surprisingly complex and vibrant. Nature, with its textures and nuances in green, blue and brown, unfolds in a landscape that suggests an idyllic environment but also contains elements of symbolism that evoke peace and harmony that the figure of the Sultan seeks to project. The trees, carefully painted, seem to participate in the scene, contributing a life that complements the main figure.

In the left section of the work, other figures are appreciated that, although less prominent, contribute to the visual story of the walk. These characters are located on the shore of the road, observing the Sultan, and add a sense of community and participation in the event. Through these characters, Behzad not only portrays royalty, but also captures the social fabric surrounding his time. All this suggests a dynamic of admiration and respect for the leader, and creates a rich narrative that invites the viewer to contemplate not only the authority figure, but also their relationship with their environment.

The use of color in this paint is remarkable. Behzad uses the flat color technique that characterizes Persian miniatures, but does so with a subtlety that gives life to each element of the work. Shadow and light areas are applied with a mastery that brings volume to figures and objects, without losing two -dimensional essence that is typical of the miniature. This duality between the form and technique translates into a powerful visual representation, which keeps the immobile spectator before the splendor of art.

Kamal Ud-Din Behzad's work is a reflection of an era in which art in Persia reached exceptional levels of high refinement. Through its ability to capture the humanity of its subjects, its interactions and the splendor of Persian culture, the painting "Sultan Hossein Mirza in Promenade (left part)" is erected as an example of the rich tradition of the Persian miniature . This work is a testimony not only of a historical moment, but also of the lasting ability and the invaluable contribution of Behzad to the art world.

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