Self -portrait with his family in front of his home - 1916


Size (cm): 70x60
Price:
Sale price2.923,00 NOK

Description

The "self -portrait with his family in front of his house" of 1916, painted by Maurice Denis, is presented as a work that encapsulates not only the personal aesthetics of the artist, but also an intimate approach to family ties and everyday life. Maurice Denis, one of the main exponents of the Nabi movement, sought to integrate symbolism in the representation of reality, a principle that clearly manifests itself in this family portrait.

In the composition of this painting, Denis is placed in the foreground. The artist is shown, along with his wife and children, frames his family environment with a touch of closeness that reinforces the idea of ​​unity. Housing in the background, with its simple and familiar architecture, not only serves as a backdrop, but also symbolizes everyday life and intimacy of the home. This choice of a pictorial plane where characters with a home converge, gives the work a deep emotional resonance. The inclusion of his family, represents not only an act of self -affirmation as a father and husband, but also as an artist in his personal context.

The use of color in this work is remarkable; The warm tones predominate, with a palette that evokes optimism and harmony of the home. The skin of the characters, the fabrics of their clothes and the surrounding landscape are intertwined through a rich combination of colors that manage to highlight the atmosphere of family welfare. Maurice Denis was known for his ability to use color, and here his mastery is observed to build a life and joy image through nuances that induce calm and happiness. His brushwork is visible but controlled, suggesting a renewed approach to the pictorial representation that distanced himself from the strict precision of realism.

The characters in the play are not just static figures; rather, each of them radiates a sense of life and movement that is complemented by their positions within the painting. The artist's gaze, who goes outside the frame, invites the viewer to participate in this private moment, creating a connection between the observer and the privacy represented. It is a perfect example of how Denis used the figures in his compositions to add meaning, in addition to simply representing them.

It is also essential to consider the historical and social context in which this work was created. In 1916, the world lived turbulence times with World War I in full apogee. This piece, therefore, can be interpreted as a longing for peace and the celebration of family life against external adversities. Painting stands not only as a personal self -portrait, but as a testimony of a family reality in the middle of a convulsive world.

Although self -portrait with his family in front of his home is not one of Maurice Denis' most commented works, he is in an important current of his artistic production that explores the subjective representation of reality. Denis, along with other Nabis, was looking for a new path in art, merging painting with symbolism and human emotion, giving in to the sensitivity of a world in transformation. This work is a solid manifestation of these ideas, using the figure of the artist, the intimacy of his home and the warmth of his family as a portal towards a deeper understanding of art in his most human context. With this, Maurice Denis not only documes his reality, but also invites the viewer to reflect on his own life and his surroundings.

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