Mrs. John Winthrop (Hannah Fayerweather) - 1773


size(cm): 60x75
Price:
Sale price3.033,00 NOK

Description

The work "Mrs. John Winthrop (Hannah Fayerweather)" by John Singleton Copley, painted in 1773, is an outstanding example of the American portrait of the 18th century, which shines for his attention to detail and his ability to communicate personality and social status of the figure represented. Coley, one of the masters From the portrait in colonial America, he has captured not only the physical appearance of his subject, but also a sense of emotional depth that invites the viewer to consider the complexities of the lives of women of his time.

In this work, Copley represents Hannah Fayerweather, wife of John Winthrop, with a sense of dignity and grace. His position is upright, which suggests confidence and sophistication. She is dressed in an elegant white dress that, far from being monotonous, reveals subtle nuances thanks to the artist's skill in the representation of textures and folds. The use of white, reinforced by the light that seems to bathe the central figure, becomes a symbol of purity and virtue, characteristics commonly associated with the women of the time.

Copley's attention to details is manifested in the elaborate headdress and Hannah's hair, which is carefully combed in a style of the fashion of his time. This hairstyle is emblematic of the aesthetics of the 18th century in New England, and each loop and every curl are vividly delineated, demonstrating the virtuosity of Copley as a portraitist. The choice of a dark background serves to accentuate the luminosity of the dress and the face of the woman, creating a contrast that highlights her figure and invites contemplation.

An intriguing aspect of "Mrs. John Winthrop" is the interaction between the figure represented and the accessible elements that surround it. In a lower corner of painting, A book appears, which could suggest the education and intellectual interest of the protagonist. In the context of the time, where opportunities for women were limited, this object can be an indication of the broader role of women in American colonial culture, a passage that goes beyond simple domesticity. The work also shows one of Copley's recurring themes: the portrait as a means to examine personal identity within the social restrictions of the time.

Copley manages the color with mastery; The palette of the work is made up of warm and cold tones that combine harmoniously to create an effect that emanates both the warmth of the character and the seriousness of the portrait. Hannah's skin has a soft, illuminated tone, while the use of dark color in the background gives it an almost sculptural prominence. When observing the painting, one cannot avoid feeling attracted to the serene but penetrating look of Hannah, who seems to look towards the viewer, somehow demystifying the distance that often exists between art and his audience.

In the historical context, the figure of Hannah Fayerweather represents the sociocultural changes that began to take shape on the horizon of the American Revolution. Copley, as one of the main portraitists of his time, not only built an artistic legacy, but also registered and reflected the dynamics of his time, therefore becoming a visual chronicler who connected the European tradition with the emerging American identity .

"Mrs. John Winthrop (Hannah Fayerweather)" of Copley, is more than a simple portrait; It is a work that encapsulates a moment and a place, providing its subject with a life and history that transcends its physical existence. The work remains an eloquent reference in the study of American colonial art and a testament of Coley's ability to capture the essence of its contemporaries.

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