London: The Old Horse Guards of St James's Park


size(cm): 50x100
Price:
Sale price3.388,00 NOK

Description

Canaletto's painting "London: the Old Horse Guards from St James's Park" is a masterpiece of Baroque art noted for its masterful composition, use of colour, and detailed depiction of the London cityscape. Originally 117 x 236 cm in size, the painting shows a panoramic view of the city from St James's Park, with the old cavalry guard in the foreground.

Canaletto's artistic style is characterized by meticulous precision in the representation of architectural and landscape details, which is clearly reflected in this work. The composition of the painting is impressive, with the cavalry guard in the foreground acting as an entry point for the viewer, and the view of the city stretching towards the horizon in the background.

Color is also a prominent aspect of the painting, with warm, bright tones used to represent the sky and water, and darker, earthier tones for the architecture of the city. Canaletto's technique of using loose, rapid brushstrokes to create texture and shadow is also evident in this work.

The painting has an interesting story behind it, as it was commissioned by King George III in 1768 to hang in his residence at Buckingham Palace. However, after the king's death, the painting was sold at auction and passed through several hands before being acquired by the National Gallery, London in 1951.

A little-known aspect of the painting is that Canaletto did not visit London before painting it, instead drawing on drawings and engravings by other artists to create his depiction. Despite this, the accuracy and detail of the painting is astonishing, demonstrating the skill and talent of the artist.

In short, "London: the Old Horse Guards from St James's Park" is an impressive work of art that stands out for its artistic style, composition, color, and detailed depiction of the London cityscape. Its lesser-known history and aspects make it even more fascinating and valuable for art and history lovers.

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