Virgin and Child Enthroned


size(cm): 70x35
Price:
Sale price2.371,00 NOK

Description

The Virgin and Child Enthroned painting by Carlo Crivelli is a masterpiece of the Italian Renaissance housed in the National Gallery of Art in Washington DC This work of art is a true gem of sacred art and is considered one of the most important works of the artist .

Carlo Crivelli's artistic style is highly distinctive, characterized by his meticulous attention to detail and his use of bright, saturated colours. Crivelli's technique is highly refined and his ability to create textures and details is impressive. In Virgin and Child Enthroned, the influence of Flemish artists can be clearly seen in their use of light and shadow to create depth and drama in the composition.

The composition of the painting is very interesting, since it presents a throne on which the Virgin Mary is seated holding the baby Jesus on her lap. Around him, there are angels, saints and cherubs who pay homage to him. The composition is designed to create an effect of depth and perspective, making the painting appear three-dimensional.

Color is another prominent aspect of this artwork. The bright, saturated colors Crivelli uses in Virgin and Child Enthroned are typical of his style and give the painting a very vibrant and eye-catching look. The use of gold and silver is also very prominent in the work, giving it a very luxurious and opulent look.

The history of the painting is also very interesting. It was created in 1470 for the church of San Francesco in Matelica, Italy. For many years, the painting was owned by the family of the Dukes of Urbino and was later acquired by the National Gallery of Art in Washington DC in 1942.

In short, Carlo Crivelli's Virgin and Child Enthroned is a masterpiece of the Italian Renaissance that stands out for its distinctive artistic style, its dramatic composition, its use of bright, saturated colors, and its fascinating story. It is a work of art that continues to captivate viewers and is a true jewel of sacred art.

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