Description
The painting "is over - 1920" of El Lissitzky is a work that stands as a testimony of the vigorous constructivist and suprematist movement in which the author's artistic production is framed. This piece, although apparently simple in its conception, reveals an intricate network of meanings and symbolisms that unfolds when observing it carefully.
The Lissitzky, born in Russia in 1890, was a multifaceted artist, architect, graphic designer and photographer, who left an indelible brand in the art of the early twentieth century. Influenced by Kazimir Malevich and suprematism, its style is characterized by the use of geometric shapes and a particular approach to the abstraction, theory and function of art in modern society.
In "It is over - 1920", Lissitzky uses its characteristic visual language to raise a blunt and reflective message. Painting is a clear exponent of geometric simplification and the use of flat colors, which at the same time transmit a strong emotional and intellectual burden. The bottom of the work seems to bifurfar in predominant colored segments: black, red and several tones of gray. These areas of color are not mere surfaces, but bearers of meaning in the historical and cultural context of the Russian post-revolution, where red symbolized socialism and change, black, often associated with anarchism, and grays State of transition and uncertainty.
One of the most notable aspects of painting is the absence of figurative characters. This human emptiness is replaced by the vigorous presence of geometric lines and shapes, which act as leading elements. The work consists of straight lines and angles that create a sense of movement and dynamism, leading the viewer's gaze through its surface in a visual dance that seems to suggest the end of one era and the beginning of another. This use of geometry is not merely decorative but reflects Lissitzky's intention to use art as a tool for social and political change.
In the center of the composition, a red diagonal line stands out, cutting the space in two and creating a visual interaction with the other shapes and colors. This line seems to be a speech in itself, a bold statement that, aligned with the title of the work, suggests a cesura, a point and apart in the historical future. The red diagonal can be interpreted as a ray of transformation, a definitive cut with the past and an opening towards new possibilities.
The choice of the chromatic palette and the arrangement of the elements are not casual but are part of a precise visual strategy that Lissitzky dominated with a mastery. This precision and technical control are reflected in the way in which each form and each color interact with each other, creating a visual harmony that, although abstract, effectively communicates the tension and hope of the time.
Finally, "it is over - 1920" It is not only a work of art, but a visual manifesto that captures the essence of the constructivist spirit and the conviction of using art as a vehicle for transformation. El Lissitzky's painting continues to resonate today, reminding us of the ability of the art to reflect, challenge and, ultimately, change the world around us.
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