Composition N. 1 with red and blue - 1931


Size (cm): 60x60
Price:
Sale price2.655,00 NOK

Description

The work "Composition N. 1 with red and blue" (1931) by Piet Mondrian is an emblematic example of the search for balance and harmony within its characteristic style, known as neoplasticism. This painting encapsulates the essence of its aesthetic philosophy, where the simplification of the form and rational use of color binds to create an atmosphere of clarity and order. The work, composed of a series of straight lines that define a network of rectangles, presents a geometric order that seems deliberately calculated, reflecting Mondrian's deep admiration for the structure and organization.

In this composition, Mondrian uses a restricted palette, focused on primary colors: red, blue and yellow, along with the absence of color in black and black areas. Red and blue are used in such a way that they invoke a feeling of dynamism and tension, while promoting a visual interaction that invites the viewer to explore not only the surface of the paint, but also the relationships between the colors in a broader context. This strategic color use, in combination with the disposition of the forms, causes an internal dialogue, where each element is supported and complemented by each other, revealing Mondrian's ability to balance the elementary with the complex.

Compared to previous works of Mondrian, in "Composition N. 1 with red and blue" an evolution towards a greater reduction in the number and complexity of the forms is perceived. This simplification is a testimony of its constant search for pure abstraction, moving away from the tangible world until it reaches an expression that transcends literal representation. Mondrian moves away from the complexities of realism and, on the other hand, tries to capture the essence of "all" through a visual language that encompasses more than what is seen with the naked eye.

It is relevant to observe that in this work there are no characters, in the traditional sense of the human figure or of visual narration. Instead, Mondrian's work focuses on visual relationships and how they affect the spectator's perception. Not including figurative references, invites a more subjective interpretation, where aesthetic experience becomes a field of personal reflection. The minimalism of the composition gives way to the contemplation of optical relationships, forming a space where the viewer can find its own sense of balance and beauty.

The impact of "composition N. 1 with red and blue" is not limited only to its aesthetics, but also marks a milestone in the development of modern art. Mondrian, along with other artists of his time, such as Kandinsky and Malevich, challenged the established norms and opened the way to a new paradigm in art, where color and shape cease to be mere representations of the physical world and become vehicles of emotional and spiritual expression.

In conclusion, "Composition N. 1 with red and blue" is not just a work of art; It is a manifestation of philosophical and aesthetic principles that deeply resonated with Mondrian's contemporaneity. This piece, together with others of his work body, blurred the borders of abstract art and invites us to consider the relationship we maintain with space, color and shape in our own world. Thus, Mondrian continues to be a central figure in art history, and his works, especially this, leave an indelible mark on our contemporary visual perception.

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