Calle - Berlin - 1913


Size (cm): 55x75
Price:
Sale price2.970,00 NOK

Description

The painting "Calle - Berlin - 1913" by Ernst Ludwig Kirchner is a powerful representation of the vibrant and tumultuous spirit of urban life in the Berlin of the early twentieth century. Kirchner, one of the founders of the expressionist group Die Brücke, captures in this work a snapshot of modernity and alienation that was experienced in a city in constant transformation. The bold use of color and fragmentation of the form are distinctive characteristics of Kirchner's style, which communicates intense emotions and a deep introspection on the human condition.

In this work, the composition focuses on a crowded street, where human figures become almost secondary elements in an environment that seems oppressive and overwhelming. The elongated shadows and angular lines create an atmosphere of tension and restlessness. The figures that walk down the street, reduced to schematic silhouettes, are partially indistinguishable with each other and integrate into an architectural structure of worn buildings of vivid colors that seem to lean over them. This formal choice highlights the sensation of depersonalization characteristic of modern life, where the individual feels often absorbed by the environment.

The use of color is one of the most distinctive aspects of "street - Berlin". Kirchner uses a palette that combines dark and saturated tones with acids, which intensifies the emotion of the scene. The predominant red suggests an emotional tension that can be interpreted as a reflection of the frantic rhythm of urban life, while green and blue provide a sense of dissonance and chaos. This visceral combination not only creates a visual impact, but also invites the viewer to experience the anguish and uprooting the individual in front of the vastness of the modern city.

The work is also a cultural observation about life in Berlin in 1913, just before World War I. Kirchner, through his expressionist style, raises questions about loneliness and alienation, issues that emerge strongly in contemporary life. The figures, which are mostly women, can be interpreted as a representation of a new social role in the modern era, where the liberation of women begins to challenge traditional norms. However, they also reflect a vulnerability in a world that often feels hostile and disluing.

It is vital to consider "street - Berlin" within the broader context of Kirchner's expressionist and artistic production. The work embodies the search for the Die Brücke group for breaking with the artistic tradition of the past and exploring new forms of expression that reflect the emotional reality of their contemporaries. Similar to other works by Kirchner, such as "Self -portrait with model" or "The Dances of Life", "Calle - Berlin" approaches the viewer not only from an aesthetic point of view, but emotional, emphasizing an intimate connection with the observer .

In conclusion, "Calle - Berlin - 1913" is a central piece to understand the expressionism and cultural transition of Europe on the threshold of modernity. Kirchner manages to capture the complexity of a world in transformation, where the promises of a new urban life are accompanied by a deep feeling of loss and alienation. Through its extraordinary color management and its unique vision, it invites us to reflect on our place in a landscape that, in this work, feels both vibrant and bleak.

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