Battle scenes - 1896


Size (cm): 75x40
Price:
Sale price2.593,00 NOK

Description

Ferdinand Hodler, a distinguished figure of Swiss symbolism and one of the most influential painters of the late nineteenth century, gives with "battle scenes - 1896" a composition that encapsulates not only the horror of war, but also the search for humanity to find order in chaos. In this work, Hodler displays his mastery to visually narrate and his technical ability to capture the essence of war conflicts.

When observing "battle scenes - 1896", one is immersed in a maelstrom of human figures intertwined in a fierce confrontation. Hodler's composition is bold, filling the canvas with moving bodies, the positions of the combatants drawn with almost geometric precision. The human figures, trapped in the combat climax, transmit a sense of frantic and desperate energy, almost palpable, that the artist achieves through the intensity in his gestures and the disposition of his members.

The color in this work, although it does not explore a wide chromatic range, wisely uses terrible and dark tones to underline the severity of the moment represented. The reddish tones dotted here and there suggest blood and wound, reminders of intrinsic violence of a battle. The use of color not only serves to define and differentiate figures, but also establishes an emotional tone that permeates the entire painting.

It is interesting to note that, although the work bears the name "battle scenes", it does not refer direct to a specific historical conflict. This allows to perceive the work more as a universal symbol of war and the struggle, stripped of a specific temporal or geographical context. Hodler, known for its symbolist inclination, uses these elements to transcend the merely anecdotal and aspire to the transcendental, seeking to reveal universal truths about the human condition.

In the line of his artistic production, Hodler often explored the theme of struggle and resistance, both physical and spiritual. "Battle scenes" maintains the robust and monumental style that characterizes many of his works, where the human figure and his emotions are the expressive nucleus. Through the repetition of reasons and a rhythmic structure in the arrangement of the figures, Hodler creates a feeling of harmony and continuity, even in the midst of chaos.

When registering this painting in the broadest context of his work, Hodler's evolution can be observed from his first realistic works to his development of a more symbolist and expressionist style. Works such as "The Night" (1889-1890) and "The Day" (1900) share with "Battle scenes" a concern for human destiny, using the body as a vehicle for the deep expression of psychology and philosophy of The existence.

In summary, "Battle scenes - 1896" by Ferdinand Hodler is a powerful artistic manifestation that resonates for its dynamic composition, its emotional use of color and its ability to evoke a timeless universality. The work is a testimony of Hodler's technical skill and its deep understanding of human complexity, encapsulating brutal beauty and tragedy inherent in the experience of war.

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