Autumn afternoon - 1892


Size (cm): 75x55
Price:
Sale price2.899,00 NOK

Description

Ferdinand Hodler, one of the most prominent Swiss painters of the nineteenth century, bequeathed a vast collection of works that have been held for their unique style and deep sensitivity. "Autumn afternoon - 1892" is one of those pieces that reflects both technical mastery and Hodler's remarkable ability to capture the essence of a landscape.

In "Autumn afternoon", Hodler presents a broad and serene landscape that seems frozen over time. The scene is dominated by a lake that extends to the horizon, framed by majestic mountains and covered by a sky that travels from warm to cold tones, reflecting the golden light of sunset. The quality of the sky, with its soft but penetrating colors, highlights the autumn atmosphere and the transition from day to night. The dominant blue, ocher and green dominant colors turned off a feeling of melancholic tranquility, typical of the portrait.

Hodler, known for his symbolism and his tendency to emphasize symmetry and repetition in his compositions, seems to have used these techniques more subtle in this work. The arrangement of the mountains and the horizon line, almost equidistant and reflected in the water of the lake, show a balance that is both visual and emotional. Despite the apparent simplicity of the composition, each element has been carefully chosen to complement the other, creating a harmonious whole that resonates in the viewer.

There are no human figures in "autumn afternoon", which enhances the sensation of a vast and silent nature, away from human bustle. This absence of characters also serves to underline the meditative nature of the work, inviting the viewer to an intimate and reflective contemplation.

Hodler, throughout his career, has been recognized for his ability to merge realism with stylized elements that border the symbolic. His works often reflect a search for harmony and an order underlying in nature, and "autumn afternoon" is no exception. This painting can be compared to others from the same era where the artist explores the relationship between nature and human emotion, as in "Lake Thun" (1904) and "night" (1889-1890).

Hodler's work is registered within an artistic context that seeks to transcend the mere representation to achieve a state of spiritual revelation. In "Autumn afternoon", the artist not only represents a landscape, but seems to investigate the human psyche, in the calm and introspection that autumn and twilight invoke. The painting invites the viewer to enter a contemplative state, offering as a refuge of calm and beauty in the midst of becoming.

Thus, "Autumn afternoon" is an essential piece within Ferdinand Hodler's work, which not only stands out for his impeccable technique and his mastery, but also for his emotional and symbolic depth. It is an open door to meditation, a testimony of natural greatness and a sample of Hodler's undeniable talent to capture the intangible.

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