Siren Self -portrait - 1914


Size (cm): 75x55
Price:
Sale price€249,95 EUR

Description

In the work "Self -portrait with Sirena" of 1914, Koloman Moser gives us a multidimensional vision of his own identity, merged with the symbolism of aquatic mythology. This painting is enrolled in the context of Modernism and Secession of Vienna, movements that Moser, as one of its founders, promoted with its innovative aesthetics.

The self -portrait shows Moser in the foreground, dressed in an elegant and decorative clothing that highlights its meticulousness in the choice of details. The painter's face, framed by a dark hair that contrasts with the luminosity of the background, presents an introspective and serene expression. A deep connection is perceived between his figure and the mythological figure of the accompanying siren; This fantastic being, located on the right margin of composition, introduces an element of mystery and seduction that reflects the symbolism of desire and fantasy.

The composition reveals a captivating harmony between the human and the natural world, represented by the siren, which seems to be in a subtle dance with the author. Moser makes skillful use of spaces and forms, creating an interaction between figure and background that reflects a sense of simultaneity, as if both shared the same ethereal space. The general atmosphere is impregnated with a dreamlike character, evocative of a world in which the real and the imaginary are intertwined.

The use of color in this work is truly distinctive. Moser uses a rich palette formed by blue and green tones that evoke water, contrasting with the warm tones of the artist's skin and the silky texture of the siren hair. This color game not only enhances the beauty of both characters, but also suggests the fluidity of water and the aquatic environment, creating a sense of movement that can almost be felt. The choice of blue, in particular, is symbolic, since it is often associated with feelings of calm and depth, while golden accents provide a sense of luxury and quality.

The work thus becomes a mirror that reflects Moser's concerns, an artist who not only cares about visual art, but also about the connection between humanity and the supernatural. Through this painting, Moser explores the symbolism of duality: the relationship between men and women, the human and the mythological, the conscious and the unconscious. This dialogue between these elements becomes a manifestation of the personal search for the artist's identity within the cultural currents of his time.

"Self -portrait with siren" also talks about the influence of Deco art and symbolism, aspects that permeated Moser's work, who was a pioneer in the incorporation of decorative elements that transcended the simple portrait. His work is an example of how modernism dared to challenge aesthetic conventions, allowing subjectivity and fantasy emerging from art fibers.

In summary, this work is not only a self -portrait in the strict sense, but Moser manages to transform his portrait into an exploration of his own psyche, intertwined with mythological elements that invite contemplation and interpretation. "Self -portrait with siren" is a testimony of Koloman Moser's unique talent and its ability to communicate complex experiences through their art, inviting the viewer to a deeper reflection on what it means to be human.

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