YNGLING NUDE - 1907


Size (cm): 55x85
Price:
Sale price₩357,000 KRW

Description

The painting "naked yngling", made in 1907 by Eugène Jansson, is a work that encapsulates the essence of Swedish symbolism and the search for beauty through the representation of the human figure. This artist, born in 1862 and died in 1915, stood out for his ability to capture the luminosity, shape and sensuality through his rich palette and careful technique. In "Nude Yngling", the viewer faces a male figure that serves as a paradigm of youth and beauty, a recurring theme in Jansson's work that evokes a connection with Nordic mythology and the idealization of the human body.

From a compositional perspective, painting is organized with a clear intention to highlight the nude. The figure of the young man, represented in a delicate skin tone, is centered within the painting, which gives an immediation and closeness to the viewer. The posture of Yngging, which suggests calm and carefreeness, invites you to contemplate not only the physical form, but also the implicit narrative of serenity and vulnerability. The sculpted form, without a doubt, establishes a dialogue with classical art, where the human body is presented as an object of admiration.

The use of color in "naked yngling" is equally significant. Jansson uses a palette that ranges from soft roses and bluish tones, creating a visual contrast that immediately takes attention to the protagonist. The light seems to bathe the model, giving an almost ethereal halo, while the subtle and dark backgrounds even more emphasize the brightness of the body. This game of lights and shadows is characteristic of Jansson, who knew how to handle the light to highlight the form and anatomy of his figures.

Jansson's style is inscribed within symbolism, a current that seeks to go beyond mere representation and immerses the viewer in a world of emotions and sensations. "Naked Yngling" is a clear exponent of this search, since, although the figure is clearly human, an almost transcendental essence is evoked that invites reflection on the human, divine and beauty in all its forms.

In the work there are no visible secondary elements that distract from the main figure. This, in itself, reinforces the idea that the naked body is the maximum expression of beauty to which the artist wants to refer. Jansson, through his unique style that fuses the figurative with the symbolic, establishes an emotional link with the viewer, which is attracted not only by the image, but also by the atmosphere that surrounds the Yngling.

Through this painting, Eugène Jansson not only shows his technical mastery, but also his deep understanding of aesthetics and humanity. Nude Yngling is undoubtedly one of the works that most evidences the artist's talent, becoming an icon of the representation of the male nude in the art of the twentieth century, and a reflection of a time where art sought in the Human figure A manifestation of higher ideals. This work is inserted in a broader context of the tradition of Nordic painting and echoes a visual search that continues to inspire contemporary artists.

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