Way to Chalco with the volcanoes - 1891


Size (cm): 75x50
Price:
Sale price₩328,000 KRW

Description

On the way to Chalco with the volcanoes of 1891, José María Velasco reinvents the Mexican landscape through a meticulous fidelity to nature and a mastery in the representation of the environment. This painting, emblematic of the land movement of POS romanticism in Mexico, captures a panoramic view that invites spectators to immerse themselves in the majesty of the national geography. The work reflects the artist's intimate connection with the Mexican Altiplano region, a place that includes both their personal identity and a broader sense of cultural belonging.

The artistic composition of painting is remarkable. Velasco organizes the space so that the winding road to Chalco directs the viewer's gaze through the canvas, creating a feeling of depth and movement. The road, which extends from the bottom to the horizon, acts as a visual channel that invites exploration, while the imposing volcanoes in the background establish a powerful connection with geography and mysticism that accompany these natural natural formations. Popocatépetl and Iztaccíhuatl, in particular, not only serve as a backdrop, but are symbols of a rich and cultural history, anchored in national identity.

The use of color in this work is equally significant. Velasco adopts a palette that covers various tones of green, yellow and blue, which mix and overlap to capture the changing light and the atmosphere of the region. The Velasco technique reveals attention to detail that highlights the vibrations of sunlight filtering through clouds and foliage, it is this treatment of natural light that gives the realistic character to the scene. The nuances in the sky, which vary from intense blue to yellow and oranges of sunset, create an interesting contrast with the earthly terrain of the road and the lush vegetation that flanks it.

Regarding the presence of human figures, this work does not observe the direct interaction between people, unlike other of their works where the inclusion of peasants or workers becomes an element of visual narration. Here, the approach falls exclusively on the greatness of the landscape, suggesting that Mexican nature can exist as a scenario in which humanity is only part of the vast network of the environment. However, this election could also be interpreted as a statement of the relationship between man and nature, where the road seems to suggest both a physical and spiritual journey.

This painting It is part of the context of the landscape painting of the late nineteenth century, a period where artists such as Martín Malvar, Nicolás or José María Velasco chose to capture the beauty of Mexico with an almost scientific approach, emphasizing naturalism against the most idealized romanticism that It had previously prevailed. Velasco, in particular, stands out for its ability to portray the light and atmosphere of the landscape, aspects in which it was influenced by its study at the Academy of Fine Arts and its admiration for European painters.

On the way to Chalco with volcanoes, it is not only a sublime visual representation of natural Mexico, but also a testimony of José María Velasco's talent as a pioneer of the national landscape. This work invites the viewer to contemplate not only the image itself, but also the deep meaning that resides in the land that surrounds it. At a time when Mexican identity began to consolidate, Velasco became a bridge between the landscape and culture, making its art a legacy that continues to resonate in the heart of the Mexican people.

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