Size (cm): 75x40
Price:
Sale price₩298,000 KRW

Description

The work "Violets" by Walter Sickert is a manifestation of talent and uniqueness that characterize the British artist, a pioneer of the post -impressionist movement. Painted in 1910, this work is in a context in which Sickert experiences with shapes and colors that go beyond the simple naturalistic representation, exploring a rich palette and the intimacy of everyday life.

At first glance, what stands out of "violets" is its intimate and almost introspective composition. The painting presents a table on which violets are arranged, portrayed with an approach that reveals not only the aesthetic beauty of flowers, but also its fragility. Sickert uses a technique of loose brushstrokes that provide a living and dynamic character to the work, contrasting with the stillness of the object represented. The way in which colors are intertwined and juxtapose suggests an atmosphere of delicate transience, characteristic of the nature of flowers and, by extension, of life itself.

The tones of painting They predominate in the lilacs and green, which evoke not only the freshness of the violets, but also the soft light that seems to be filtered through the scene. This color choice, together with the way Sickert applies painting, creates a sense of depth and texture, enriching visual experience. However, the background has a darker and darker treatment, which enhances the brilliance of flowers and establishes a clear approach between the foreground and the background.

A relevant aspect in "Violets" is the lack of human figures. SICKERT, known for his portraits and scenes of the modern life of his time, this time he chooses to focus on the still life, Breaking with his usual theme. This allows the spectator to immerse himself in a moment of contemplation. The absence of human characters could be interpreted as a comment on loneliness that often accompanies the ephemeral beauty of flowers, creating an absence of dialogue that invites personal reflection.

In terms of style, Sickert is inserted in the tradition of post -impressionism, absorbing influences from artists such as Édouard Manet and Edgar Degas. At the same time, his approach recalls a stage of introspection of Fauvism in the liberation of color, although without the same aggressiveness as the latter usually present. In "Violets", Sickert seems to want to convey a deeper connection with reality, exploring the essence of objects in their simplicity and beauty.

Through "Violets", Sickert offers us a work that transcends the mere object represented, leading us to a reflection on beauty, loneliness and impermanence. In its mastery with color and shape, it reveals an intimacy that goes beyond simple observation, inviting the viewer to stop and consider the delicate balance between life and its fragility. This painting is a vivid example of Sickert's talent and moving impact that can have a seemingly simple composition in the viewer.

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