Venice - 1912


Size (cm): 75x55
Price:
Sale price₩342,000 KRW

Description

The painting "Venice - 1912" by Maurice Pometgast is erected as a masterful representation of the charm and beauty of the city of the channels, through the unique lens of impressionism and postimpressionism, styles that the artist adopted to explore the color and color and The light bold and expressively. Arndast, known for his fascination with urban landscapes and the scenes of everyday life, achieves, in this work, encapsulate the vibrant essence of Venice, a place already impregnated with history and romanticism.

The composition of painting It is a delicate intersection between the figurative and the abstract. The pictorial structure is organized in a series of color planes that are intertwined and overlap, suggesting the depth of the Venetian space without a markedly realistic approach. The use of simplified shapes and bright colors gives the scene an almost dreamlike quality, where the boundaries between heaven, water and buildings seem to blur. The architectural elements, which include the majestic Venetian constructions, are presented in a stylized way, evoking an ethereal atmosphere.

The color is perhaps the most distinctive aspect of this work. Purkey displays a rich and varied palette, where the blue and the green of the water fuse with the warm tones of the buildings and the bright brushstrokes of white, yellow and pink. This combination of colors not only reflects the light that emanates from the city, but also infuses the canvas an almost palpable energy, illuminating the surface with an intense vibration. The representation of water, in particular, reveals the master's degree to evoke reflection and movement, making viewers feel the fragrance and murmur of the Venetian environment.

The work includes human figures, which, although they are not the central focus, add a vital component to the scene. A series of characters walk around the environment, almost in the background, as fragments of a Venetian daily life that passes without hurry. These figures, often represented schematically, contribute to creating a sense of scale and activity, suggesting that, although the landscape is predominantly serene, it is impregnated with the life and dynamism of local culture.

Through "Venice - 1912", Arrendast not only portrays a place, but establishes an emotional connection with the viewer, transporting it to a time and a space where beauty is at the fleeting moment. His modernist approach moves away from photographic detail and enters the exploration of color and shape, anticipating subsequent movements in the paint. In this sense, his style is comparable to that of other contemporary artists who explored the representation of famous places with a similar sensitivity, such as the work of Pierre-Auguste renovate or even the most abstract landscapes of the fauvistas.

In conclusion, "Venice - 1912" is not only a tribute to one of the most emblematic cities in the world, but also a work that encapsulates the essence of the artistic vision of pretendgast, in which color, light and shape They combine to present a rich and enveloping aesthetic experience. Painting invites contemplation and reflection, a testimony of the ability of art to transcend time and space, capturing the essence of a moment in eternity.

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