Tribute money - 1782


size(cm): 70x60
Price:
Sale price₩348,000 KRW

Description

The work "The Money of the Tribute" by John Singleton Copley, created in 1782, is erected as a fascinating example of the narrative mastery of the American painter at the intersection of religious art and the humanistic portrait. In this painting, Copley immerses himself in an episode of the New Testament where Christ is confronted by tax collectors, an anecdote that not only has deep theological connotations, but also strongly resonates with the social and political concerns of his time.

Visually, the composition is characterized by a dynamic arrangement of figures. In the center, Jesus occupies a dominant position, not only because of his size, which in turn is a spatial strategy that reinforces his authority in the narrative, but for his serene position that radiates trust and wisdom. His facial expression is of quiet contemplation, which contrasts with the visible anxiety of other characters around him. To their left, tax collectors show an alert and demand air, emphasizing the inherent conflict between law and morality, a recurring issue in Copley's work.

Color management is particularly remarkable. Copley uses a rich and varied palette, which mixes warm and cold tones to highlight the three -dimensionality of the figures. The clothes of Christ, in dark and deep tones, provide a significant contrast with the brightest and most varied colors of the collectors, highlighting the difference between the central authority figure and the characters of material interest. Lighting plays a crucial role in the work, because the light seems to emanate from Jesus, projecting a halo that contrasts with the shadow that surrounds the collectors, symbolizing moral lighting against greed.

The relationship between figures is equally interesting. To the right, a man holds a silver coin with an expression of restlessness, which adds a dramatic element to the context of the scene. This figure gives a sense of immediacy and tension, as if the viewer was about to witness a significant confrontation. The delicacy in the details of the clothing, the hands and expressions of the characters demonstrates Coley's ability to capture the psychology of each individual, turning the scene into a story not only visual, but deeply human.

In terms of style, "the money of the tribute" is a work that reflects the transition from neoclassicism to romanticism in the art of the 18th century. Coley, a master From the portrait and visual narrative, he moved away from academic conventions, preferring to represent the emotion and realistic nature of his subjects. His style, influenced by European art and the American tradition, is characterized by a rigor in detail and attention to human experience, aspects that are powerfully appreciated in this work.

This painting, in particular, is related to a series of biblical works that Copley carried out throughout his career, but is remarkable not only because of his theme, but also because of his ability to resonate with the ethical and moral dilemmas that transcend time and the place. In this way, "the money of the tribute" is not only a visual story of an evangelical passage, but also a reflection on justice, integrity and tensions between duty and desire, which so well articulate the universal human struggles that remain relevant today.

In conclusion, "Tribute money" is a work that embodies the technical mastery and Coley's deep concern about the human condition. Through its composition, its use of color and expression of its characters, the artist manages not only to tell a story, but also invite the viewer to a meditation on the nature of authority and morality, issues that remain relevant in The present. Thus, painting not only stands as a testimony of Coley's talent, but as a mirror of the complexities that define human experience.

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