Gold messengers - 1893


Size (cm): 70x60
Price:
Sale price₩349,000 KRW

Description

The work "The Golden Messengers" by Paul Gauguin, created in 1893, is an outstanding example of the post -impressionist symbolism that characterizes much of the artist's production. In this painting, Gauguin reveals his unique ability to merge the representation of nature with more deep and existential meanings, using a visual language that transcends the mere representation.

The composition of the work is remarkable for its almost triangular structure, where two main figures are in the foreground, surrounded by an atmosphere of mystery and contemplation. Both figures, dressed in clothes that evoke the Tahitian culture, seem to be messengers, carriers of a message that, although invisible, feels through the intensity of color and the formulation of space. This choice of characters not only speaks of Gauguin's interest in Polynesian cultures, but also of his desire to explore universal issues such as destiny and communication between beings.

The colors in "The Golden Messengers" are vibrant and symbolists, creating an effect that defies the logic of perception. The touches of gold, which adorn the central figure, suggest an interaction with the divine, or perhaps a spiritual elevation. The use of color becomes an emotional vehicle here; Instead of simply representing natural light, Gauguin opts for a palette that evokes sensations, feelings and moods. This choice of color becomes an integral part of the pictorial narrative, suggesting that the message of the figures could be of a sublime or transcendental character.

The figures are both messengers and emblems of a type of "cultural sheet", which presuppose the emotional background taken from their home to the viewer. This relationship between the spectator and the work, as well as between the painted figures, invites an introspective dialogue, playing with the idea that each message is interpreted uniquely by those who receive it.

Gauguin, after his trip to Tahiti, was influenced not only by the beauty of the landscape, but also by the spirituality he perceived in the local culture. His desire to get away from conventional Europeality led him to look for an aesthetic ideal where the wild and the sacred were found. In "The Golden Messengers", this search is reflected not only in the visual elements, but also in the deep simplicity of life that the artist yearned to capture.

It is fascinating to consider how, throughout his career, Gauguin explored the idea of ​​the exotic as a form of artistic expression, finding in each place a reason to communicate the uniqueness of his experience. The work, like his contemporaries, defies the conventions of the moment and reinterprets not only the form, but also the cultural and spiritual content of the beings represented.

In summary, "the Golden Messengers" is a testimony of Gauguin's thought and ability to use the color, shape and figure as vehicles of deep meaning. The work not only constitutes a milestone in his career, but invites the viewer to contemplate the dialogue between art, culture and human experience, an approach that continues to resonate in contemporary art. The fusion of symbolism and indigenous forms in this work is an indicative of the complexity that accompanies the search for meaning beyond the visible and the immediate, a distinctive characteristic of Gauguin's legacy in the history of art.

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