The masked woman - 1910


Size (cm): 50x60
Price:
Sale price₩302,000 KRW

Description

The work "The masked woman" by Max Pechstein, created in 1910, is part of an artistic context marked by the creative revolution of the avant -garde of the twentieth century, specifically within the expressionist movement that the artist helped to define. Pechstein, an outstanding member of the Die Brücke group, expressed through his work a strong connection with raw emotions and the exploration of human subjectivity, using his style for the vibrant use of color and stylized shapes.

In "the masked woman", the central figure is presented with a mask that hides her face, enhancing the sense of mystery and symbolism that emanates from the work. This choice to cover the female figure with a mask can be interpreted as a comment on identity and perception at the time, as well as a reflection of Pechstein's interest in primitive art and cultural traditions, elements that influenced many expressionists . The woman, portrayed of profile and wearing an outfit that suggests both elegance and an almost tribal air, is located in an abstract space, where shapes and colors seem to dialogue with each other.

The composition of the work is remarkable for its color treatment; The tones that predominate in painting, from deep blue to intense green and red, create a vibrant and dynamic environment that invites the viewer to a deeper reflection on the emotionality of the figure. These colors not only fulfill an aesthetic function, but also act as vehicles for the expression of complex feelings and the atmosphere that surrounds the masked woman. Pechstein achieves, through its bold palette, a sense of movement and vitality that transcends the figure itself.

The background of the work is equally intriguing, since it is composed of simplified shapes and warm colors that contrast with the coldness of masking. This duality between the figure and the background can be seen as a metaphor for the internal struggle of the individual, caught between facets of his public and private identity. Pechstein, like other artists of his time, sought to blur the lines between art and life, the internal and the external, the hidden and the visible.

Although "the masked woman" is not one of the most widely discussed pieces within the corpus of Pechstein's work, her uniqueness resides in her representation of the masking symbolism, a trope that appears in diverse cultures and that allows viewers to reflect on The role of appearance and essence. Through this painting, Pechstein captures a moment that invites contemplation about what it means to be, which is hidden behind the facades and the consequences of this eternal search for identity.

In conclusion, "the masked woman" is not only a representation of a female figure in an act of concealment, but becomes a mirror that reflects the concerns of the human being in her search for authenticity and connection in a world in constant change . This work is erected as a testimony of Max Pechstein's virtuosity, an artist who, through his visual explorations, continues to speak to new generations about the complexity of human existence.

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