Sitting woman - 1881


size(cm): 50x75
Price:
Sale price₩330,000 KRW

Description

The "sitting woman" painting, created by Georges Seurat in 1881, is a work that encapsulates the essence of postimpressionism and technical innovations that marked the artist's trajectory. Seurat, known for his point of pitch, uses small color brushstrokes that, by merging into the view they create a vibrant visual experience. However, in this work, the relationship between color and shape is manifested in subtle and evocative ways.

We observe in "sitting woman" a female figure that is in a relaxed possession, suggesting a quiet introspection. His body outlines a clear geometry, and the structure of his silhouette is framed by a background that, although minimalist, is perceived warm and enveloping. The woman is represented sitting, with one arm resting on a armrest, while her gaze is gently heading down. This gesture not only anchor the figure in space, but also humanizes it, offering an intimate moment that invites the viewer to contemplate the nature of its serenity.

The use of color in this piece is phenomenal. Seurat uses a rich palette, where warm tones such as ocher and brown are intertwined with vermellón touches, evoking an atmosphere of calm and contemplation. The lack of a detailed fund focuses attention on the figure. This emphasis on the character, far from being a mere exercise of portrait, becomes a study on form and light. The lighting that surrounds the woman seems emanating from a diffuse source, reinforcing three -dimensionality through the subtle use of contrast.

The technique used by Seurat is especially interesting in this work. Although it is not a pure example of pointillism, it inherits from this technique a meticulous approach in the application of color. Each brushstroke is carefully placed, leading to a texture that seems almost palpable. This surface treatment reflects Seurat's search by establishing a balance between the science of color and emotional expression. The relationship between color and light becomes a central theme, showing its mastery of optical principles, which would later be explored by other artists of their time.

"Sitting woman" is not only a portrait; It is a comment on the daily life and psychology of the female figure in the context of the 19th century Paris. In the context of Seurat's work, it can be seen as an answer to the evolution of painting, moving away from romantic narratives and towards a more introspective contemplation. Also, this painting It can be inserted within the framework of other contemporary works that address the human figure, where posturality and ornamentation become meaning vehicles.

In summary, "sitting woman" is a work that synthesizes the aesthetic concerns of its creator. Seurat, through its visual legguaje, invites us to contemplate not only the figure on the canvas, but also the dialogue between color, shape and light. This work not only represents a specific period in the artist's life, but also places the viewer in a position of reflection, resonating with the universal themes of introspection and humanity.

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